Kismet 1961

THE NAPIER OPERATIC SOCIETY
PRESENT

KISMET

NAPIER
MUNICIPAL THEATRE
5th – 12th AUGUST

HASTINGS
MUNICIPAL THEATRE
14th – 16th and 18th, 19th, 21st, AUGUST

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NAPIER OPERATIC SOCIETY (INC.)

1961 OFFICERS OF THE SOCIETY

PATRON:   Jack Harris Esq.

PRESIDENT:   E.A.G. Collier Esq.

VICE PRESIDENT:   Peter Cox Esq.

HON. LIFE MEMBER:   Cedric White Esq.

EXECUTIVE COMMITTEE:
Miss P. Spriggs, Messrs I. McLean, Reg Johnson, A. Johnson, R.B. Wright, J. Durie, R. Steel and N. Tolhurst

A MUSICAL ARABIAN NIGHT

“KISMET”

THE STORY

As is common in Eastern plays, the story unfolded on the stage covers only one day – from dawn to dusk and from dusk to dawn.

The public poet, an adventurer, a rogue newly turned beggar and taking the name of Hajj,reveals an unusual talent in the appeal for alms by daring to predict the whims of Fate. We see also, his daughter, Marsinah, who is his dearest love, and whose future happiness he earnestly seeks. Then too, we see both a Caliph, a good man of great power, and his Wazir of Police, who is villainous and corrupt. The Wazir has a favourite wife, Lalume, who could by no means be said to be devoted to her master, but who has a scheme to allay his doubts. Lalume has bargained with the Sheik of Ababu that she will wed one of his three daughters to the all powerful Caliph in return for all the gold ten camels can carry, sufficient to replenish the ravaged city coffers and to provide for some luxuries as well.

A most satisfactory solution to a sad dilemma which only fails because the Caliph sees and falls in love with Marsinah (unaware of who she is and telling her he is but a gardener).

After several remarkable coincidences in Hajj’s good fortunes, the Wazir impressed by the beggars prowess promises that if the Caliph’s marriage fails, Hajj, shall be created an Emir. In the guise of an astrologer, Hajj predicts disaster if the marriage takes place. Sure of his love, the Caliph refuses to believe the warning and Hajj to escape the Wazir’s wrath at his failure flees with Marsinah.
Thus the mariage [marriage] is unwittingly foiled, for the Caliph calls for Marsinah in vain. On hearing that the Caliph’s beloved has disappeared and not guessing it could be Marsinah, Hajj arrives at the Wazir’s palace to claim his reward. Marsinah who has accompanied the poet is arrayed in Harem finery and is seen by the Caliph, who to his utter dismay is advised by the Wazir that she is one of his wives. In his official capacity, the Wazir conducts his own marriage to Marsinah, thus bringing about a situation Hajj is unable to leave entirely to Kismet. Something must be done but hold! Surely some surprise must await you as you watch this story unfold.

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[Photos]
Miss Eva Moore
Eva Moore, the producer of “Kismet”, needs little introduction, as she has successfully produced Musical Comedies and Musical Plays for many societies throughout New Zealand. This is her 125th production, a record surely for amateurs and professionals. In addition, her war efforts were outstandingly numerous, producing Gilbert and Sullivan operas for the Armed Forces, compering and producing camp concerts at Trentham, producing for the Wellington Musical Comedy Company, who raised praise-worthy sums for patriotic funds. This is merely a brief resume of her many activities, but as can be gathered, her whole life, like that of her sisters, has been devoted to the theatre. Hector Bolitho once referred to the Moore sisters as “The Royal Family of the Australian Theatre.”

Cedric White
Has directed the musical side of the Society for many years.
He was a member of the original “Kiwi” Concert Party and remained in England under a Government Bursary and passed through the Royal Academy of Music. He was a member of the Savoy Orchestra. He then moved to Paris and enrolled at the National Conservatoire and was in the Alhambra Theatre Orchestra. On his return to New Zealand he toured with the J.C. Williamson organisation, but eventually settled in Napier, where he is in practice as a Public Accountant.

Jean Ballantyne
Choreographer for the Napier Operatic Society, has, with her dancers, been associated with the Society for many productions. Miss Ballantyne, who has a Studio in Hastings, trained with well-known teachers in England, on the Continent, in Australia and New Zealand. In the course of her career she has been closely associated with Amateur Theatre, and has been responsible for numerous Children’s Recitals. Her Senior Ballet toured the Hawke’s Bay area for the Community Arts Service in 1947.

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[Photos]
DAWN UNSWORTH
Napier has every reason to be proud of Dawn as we can claim her as our own for she was born and educated here. Dawn possesses a beautiful and powerful soprano voice which gained for her the Ladies Vocal Championship at the Napier Competitions 1960 and 1961 and which will be heard to the greatest advantage in this production of Kismet. We are confident that our Theatre public will warmly acclaim her delightful portrayal of the role of Marsinah.

Commencing her singing career as a pupil of Miss Helen Dykes, Dawn was one of the first solo artists on our local Broadcasting and since moving to Auckland a few years ago she has taken the leading roles in many Musical Comedy productions including “Pirates of Penzance” “H.M.S. Pinafore” “Yeomen of the Guards” and “Amahl and the Night Visitors” for the Titirangi Light Opera Co., and “Pink Champagne” for the Auckland Light Opera Co., Dawn was offered two leading roles in Auckland this year but turned them down to come to her home town to do Kismet for us. Our grateful thanks go to her for standing by us.

LEO BARNETT
We are very fortunate to obtain Leo for the exacting role of the Poet as he is already familiar with this part having played it for the Auckland Operatic Society. Leo possesses a very fine Baritone voice which has won for him the Stenberg Aria and the Milne and Choyce Aria as well as the Vocal Championship at the Hamilton Competitions and he is a very well known vocalist for the Broadcasting Service in Auckland.

His portrayal of the Beggar Poet in this production is a tremendous accomplishment and leaves nothing to be desired. The role is a very demanding one as he is hardly off stage during the whole performance. He opens and closes the show on his own, and we are sure that our public will thoroughly enjoy his performance. Our grateful thanks go to Leo for making himself available to us.

[Photos]
REG JOHNSON AS WAZIR OF POLICE
LALUME PLAYED BY JOCELYN McIVOR

BERNARD READE AS THE CALIPH

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MUSICAL NUMBERS

ACT 1:

Scene 1.  Overture
“Sands of Time”   Iman of the Mosque
“Rhymes Have I”   Hajj and Marsinah
“Fate”   Hajj
Scene 2.   Reprise “Fate”   Hajj
Scene 3.   “Bazaar of the Caravans”   Entourage
“Not Since Nineveh”   Lalume, Wazir, Three Princes of Ababu, Merchants and Shoppers.
“Baubles, Bangles and Beads”   Marsinah
Scene 5.   “Stranger in Paradise”   Caliph and Marsinah
Scene 6.   “He’s in Love”   Chief Policeman, Wazir’s Police and Entourage.
Scene 7.   “Gesticulate”   Hajj and Wazir’s Council
“Fate”   Hajj and Harem Girls

ACT 2:

Entr’acte.
Scene 1.   “Night of My Nights”   Caliph and Entourage
Scene 2.   Reprise “Stranger in Paradise”   Marsinah
“Baubles, Bangles and Beads”   Caliph
Reprise “He’s in Love”   Entourage
Scene 3. “Was I Wazir”   Wazir, Policemen and Guards
Scene 4. “Rahadlakum”   Hajj, Lalume, Ayah and Ladies of the Harem
“And This is My Beloved”   Marsinah, Caliph, Hajj and Wazir
Scene 5. “The Olive Tree”   Hajj
Scene 6. The Presentation of Princesses:
1 Zubbediya of Damascus.
2 Samiris of Bangalore.Scene 1
3 The Three Princesses of Ababu.
“Finale”   Hajj, Caliph, Marsinah and Entourage.
“Sands of Time”   Hajj, Caliph, Marsinah and Entourage.
Music adapted from Themes by Alexander Borodin.
(Rahadlakum is the well known sweetmeat, Turkish Delight)

THE NAPIER OPERATIC SOCIETY (Inc.)

An affiliate of the National Operatic and Dramatic Association London. Foundation Member of the New Zealand Federation of Operatic Societies. Founded 1883.

Music and Lyrics by Robert Wright and George Forrest
(From Themes of Alexander Borodin.)

Book by Charles Lederer and Luther Davis
(Based on the play “Kismet” by Edward Knoblock.)

KISMET

A MUSICAL ARABIAN NIGHTS IN TWO ACTS.
(By special arrangement with Music Theatre Incorporated, New York.)

PRODUCER – EVA MOORE

Choreographer:
Jean Ballantyne.

Stage Director:
Cedric Wright.

Musical Director and Chorus Master:
Cedric White.

Ballet Mistress:
Heather Bentley.

THE CAST

(In Order of Appearance)

IMAN OF THE MOSQUE   WAYNE LISTER
FOUR MUEZZINS   DON McGRORY, ROY CLEMENTS, HERMAN ROELOFSEN, CALVIN THOMPSON.
FIRST BEGGAR   ADRIAN BURR
OMAR (Adviser to the Caliph)   BARRY RITCHIE
TWO DERVISHES   ROBIN NEWTON, BARRY PARKER
SECOND BEGGAR   RON STEEL
A PUBLIC POET (Later Called Hajj)   LEO BARNETT
THIRD BEGGAR   JOHN DURIE
MARSINAH   DAWN UNSWORTH
TAMAN – A BUSINESS MAN   PETER SULLIVAN
HASSEN BEN   DON McGRORY
TWO BRIGANDS   ROBERT McGREGOR, ALAN BROWN
JAWAN (An old Brigand)   KIT TILSON MIST
CHIEF POLICEMAN   IAN McLEAN
WAZIR’S POLICE   JOHN COLLIER, ALAN BROWN, ROBERT McGREGOR, TREVOR JONES
BANGLEMEN   WAYNE LISTER, DON McGRORY
THE WAZIR OF POLICE   REG. JOHNSON
LALUME (His Wife of Wives)   JOCELYN McIVOR
THE THREE PRINCESSES OF ABABU   HEATHER BENTLEY, LYNN HAWLEY, JULIETTE ROBINSON
AKBAR AND ASSIZ (Two Street Dancers)   BARRY PARKER, ROBIN NEWTON
ORANGE MERCHANT  BRUCE WILTON
A SLAVE DEALER   KEN RIEPER
SILK MERCHANTS   CALVIN THOMPSON, PETER SULLIVAN
A PEARL MERCHANT   ADRIAN BURR
THE CALIPH   BERNARD READE
TWO TOWNSWOMEN   JOCELYN COOK, COLLEEN PATTERSON
INFORMER   GARRY WHINCOP
PROSECUTOR   ADRIAN BURR
THE POETS SLAVE GIRLS   LESLEY MURPHY, HEATHER JENSEN, MARGARET DODDS, MARILYN SANDS
HERALD   GRAHAM McILROY
A MANSERVANT   LEO BRUNTON
“ ”    YORK DAVIS
THE WIDOW   YOUSSEF MONA FAUCHELLE
PRINCESS ZUBBEDIYA OF DAMASCUS   ROBIN HELLEUR
AYAH TO PRINCESS ZUBBEDIYA   MONA FAUCHELLE
PRINCESS SAMIRIS OF BANCALORE   NORAH GLEW
(Alternating)   LYNETTE McCUTCHEON
AYAH TO PRINCESS SAMIRIS   FRANCES SMITH

SYNOPSIS OF SCENES

(Period about 900)

One Day In Baghdad.

ACT ONE
(From Dawn to Dusk.)

Scene 1.   On the Steps of the Mosque.
Scene 2.   A Tent just outside the City.
Scene 3.   The Bazaar of the Caravans.
Scene 4.   A Side Street.
Scene 5.   A Garden.
Scene 6.  A Street Near the Bazaar.
Scene 7.   The Throne Room of his Exalted Excellency the Wazir of Police.

ACT TWO
(From Dusk to Dawn.)
Scene 1.   Along the Route of the Caliph’s Procession.
Scene 2.   The Garden.
Scene 3.   Anteroom of the Wazir’s Harem.
Scene 4.   A roof top pavilion in the Wazir’s Palace.
Scene 5.   A corridor in the Wazir’s Palace.
Scene 6.   Anteroom to the Wazir’s Harem.
Scene 7.   The Ceremonial Hall of the Caliph’s Palace.

ORCHESTRA

Musical Director: Cedric White.   Hon. Pianist: Winnie Quarrie
Violins: Enid Dunn (Leader), Anna Wilson, George Wade, Davina Alexander, Margaret Williams, Michelle Brunsden.
Cello: Joan Palmer.   Bass: Leon Speakman.
Flute and Piccolo: Enid Hocking.   Oboes: Elizabeth Ogden, Keith Sayers.
Cor. Anglais: Elizabeth Ogden.   Clarinet: Harold Bush.
Trumpets: Kevin Keough, Stuart Boston.   Trombone: Douglas Robinson.
Tympani, Drums and Effects: Jock Seton.

The Management reserves the right to make such changes in the Cast as may be rendered necessary through illness or other unavoidable cause – the Management also reserves the right to refuse admission to the theatre.

[Photos]
THE GROUP PICTURE ABOVE SHOWS MEMBERS OF THE BALLET

ROBIN HELLEUR AS PRINCESS ZUBBEDIYA.

NORAH GLEW AS PRINCESS SAMIRIS (Alternating)

LYNNETTE McCUTCHEN AS PRINCESS SAMARIS (Alternating)

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[Photo]
SCENE SHOWING MEMBERS OF MEN’S AND WOMEN’S CHORUS

MEMBERS OF THE KISMET COMPANY

Ladies of the Ballet.

ROBIN HELLEUR
NORAH GLEW
LYNETTE McCUTCHEON
SONIA COLLINS
VALERIE FLANDERS
WESLIE RYAN

Supernumeraries.
YORK DAVIS
PHILIP SMITH
MICHAEL RAILEY
TREVOR JONES
JOHN VARGA
IAN BLAIR

Ladies of the Chorus.
BETTY BROOKER
BARBARA BRADSHAW
VICKY BARTON
SANDRA BAINES
JOCELYN COOK
CAROLYN COLBY
MARGARET DODDS
ERIN FLEMWELL
MARCOUT HICKS
DIANNE HOLMES
CARINE JACKSON
GWENYTH JUDD
HEATHER JENSEN
LESLEY MURPHY
DIANA MOONEY
NAOMI MOONEY
CHRISTINE MARRIOT
ELAINE MARSHALL
PAMELA MILNE
PAULINE MCLEAN
COLLEEN PATTERSON
JILL PATERSON
ROBYN RIEPER
ELAINE ROSE
FRANCES SMITH
MARILYN SANDS
LOIS SULLIVAN
KAY WHITE

Gentlemen of the Chorus

ALAN BROWN
ADRIAN BURR
LEO BRUNTON
JOHN COLLIER
ROY CLEMENTS
GODFREY HUSHEER
ALAN JONES
GRAHAM JACKSON
WAYNE LISTER
ROBERT McGregor
DON McGRORY
GRAHAM McILROY
ROBIN NEWTON
DEREK PRYCE
BARRY PARKER
PHIL PALMER
HERMAN ROELOFSEN
KEN RIEPER
PETER SULLIVAN
CALVIN THOMPSON
BRUCE WILTON
ALLAN WILLIAMSON
GARRY WHINCOP
RAY WARDLE

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[Photos]
OMAR PLAYED BY BARRY RITCHIE

JAWAN – KIT TILTON-MIST

PRINCESSES OF ABABU – LYNN HAWLEY, HEATHER BENTLEY, JULIETTE ROBINSON

CHIEF POLICEMAN – IAN McLEAN

PRODUCTION PERSONNEL

THE EXECUTIVE COMMITTEE AND

Producer   Eva Moore
Musical Director and Chorus Master   Cedric White
Choreography   Jean Ballantyne
Ballet Mistress   Heather Bentley
Stage and Lighting  Director Cedric Wright
Properties   Noel Tolhurst
Assistant Stage Director   Allan Johnson
Hon. Pianist   Winifred Quarrie
Wardrobe Mistress   Hazel Collier
Chief Mechanist   Ira Owen
Make-up Supervision   Liz. Johnson
Prompts   Ann Blackburn, Kit Tilton Mist
Call Stewards   Claire Smith, Janet McGregor
Publicity and Programmes   Peter Cox, Ron Steel,Syd Henney, Gwyn Ace
House Manager   Peter Cox
Secretaries   White and Wimsett
Scenery designed and constructed by Will J. and Wilfred Conroy of Wellington and Costumes and Properties produced by the Auckland Operatic Society.

CREDITS

Assistants to Property Master: Roly Cook, Rod Ingle, Noel Hatton, Fred Barton, Bob Stickland, Bob Crozier, Jim Mayo, John Weir, Judy Reeve, Pat Spriggs, Justine Cook.
Assistants to Wardrobe Mistress: Mesdames A. Durie, C. Cox, N. Jones, A. Burr, D. Jones, Misses E. Alexander, M. Paton, G. Cullen, E. Murdoch, J. Gordon.
Assistants to Make-up Supervisor: Mavis Steel, Joan Colwill, Gwyn Ace, Colleen Gleeson and Colleen Orbell.
Sound System: Graeme Bowes.

ACKNOWLEDGEMENTS

The Daily Telegraph Co. Ltd., The Hawke’s Bay Herald Tribune, The Broadcasting Service, H.B. Photo News.
The Committee wish to thank all others who gave so much time to make “Kismet’ ‘a milestone in the Society’s productions.

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[Photos]
LADIES OF THE CHORUS AS HAREM GIRLS IN AN EASTERN SCENE

THE CHIEF POLICEMAN (IAN McLEAN) SHOWN WITH THE WAZIR’S POLICE

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Original digital file

CoozeL814_KismetProgramme.pdf

Business

Napier Operatic Society

Date published

1961

Format of the original

Booklet

Accession number

814/1959/46246

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