Programme 1995 – Les Miserables

Les
Misérables

Napier
Operatic
Society

Souvenir Programme
1995

“Will the future ever arrive?…
Should we continue to look upwards?
Is the light we can see in the sky one of those which
will presently be extinguished? The ideal is terrifying to behold,
lost as it is in the depths, small, isolated,
a pin-point, brilliant but threatened on all sides by the dark
forces that surround it; nevertheless, no more in danger than a
star in the jaws of the clouds.”
– VICTOR HUGO

NAPIER OPERATIC SOCIETY INC.
by arrangement with
CAMERON MACKINTOSH LIMITED
presents

Les
Misérables

A musical by
ALAIN BOUBLIL and CLAUDE-MICHEL SCHONBERG

Based on the novel by VICTOR HUGO

Music by CLAUDE-MICHEL SCHONBERG
Lyrics by HERBERT KRETZMER

Original French text by ALAIN BOUBLIL and JEAN-MARC NATEL

Additional material by JAMES FENTON

Orchestrations by JOHN CAMERON

Original London production directed and adapted by
TREVOR NUNN and JOHN CAIRD
Original London production by
CAMERON MACKINTOSH and
THE ROYAL SHAKESPEARE COMPANY

Director GILLIAN DAVIES
Music Director ANTHONY FERNER
Movement Associate & Choreographer BRIAR HORROCKS
Production Manager PETER SHEPHERD
Lighting Designer JOHN COLLIER (Dunedin)
Lighting Co-ordinator PETER EADE
Sound Designer OCEANIA AUDIO

“LES MISÉRABLES” is licenced in Australia and New Zealand by Warner Chappell Music.

Proudly sponsored by
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THE USE OF CAMERA AND RECORDING DEVICES IS PROHIBITED

“…Hapless men – feeling on them the weight of human society.”

“…Men only laid hands on him to injure him and any contact with them had been a blow to him.”

“Bodies huddled together in poverty as they do in cold, but hearts grow distant.”

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NAPIER OPERATIC SOCIETY INC

I take great pleasure in welcoming you to “Les Misérables”.

The musical you will share with us this evening represents a culmination of months of planning, hard work and determination so that we could bring you a production which would be comparable to any performed elsewhere in the world.

Two years ago we joined with six other societies in New Zealand to secure the performing rights for “Les Misérables”, one of the most acclaimed musicals ever. “Les Misérables” has played to more than 30 million people worldwide and has won many awards including eight coveted Tony Awards and Best Musical on Broadway. Once the rights were secured preparation for the massive financial and logistical exercise to undertake the staging of the musical began.

Gillian Davies was chosen as Director for this production because of her ability to serve “the Writer”, “the Company”, “the Society” and “the Public”, in her truly inspiring creative and individual way, breathing life and love into the theatre. Thank you Gillian, you have certainly fulfilled all these.

Thanks must also go to Tony Ferner our Musical Director, the Production Team, the Company and to all those voluntary personnel for their dedication and hard work over the past few months. We also thank our principal sponsor for this production Deco Bay Automobiles/Suzuki, and the Bank of New Zealand for their support of Napier Operatic Society.

“Our imaginings are what most resemble us. Each of us dreams of
the unknown and the impossible in his (or her) own way.”
Victor Hugo

Thanks must also go to you, our valued patrons for your continuing support in helping us realise our dreams.

All that remains is for you to sit back and enjoy the musical sensation “Les Misérables”.

J Briggs
John Briggs
President

“Take these candlesticks – go in peace – but remember I have bought your Soul for God.”

“Such was Fantine…you could trace beneath her clothing a statue, and inside the statue a soul…”

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Les Misérables
A musical that makes history
AVAILABLE
FROM
ALL
GOOD
RECORD
STORES

“Who is this man?
He is man who saves his
fellow man.
I know him!”

GILLIAN DAVIES
Director

Firstly, I must ask “Will there be life after “Les Misérables?” – but, in truth, does it, or will it matter?

We have all experienced something very special in serving this musical adaptation of an important literary work.

Its title has no real english [English] equivalent. Victor Hugo’s Miserables – the unfortunates and infamous, who then become the outcasts and the underdogs – tough stuff!

But an underlying message of hope permeates this musical which continues to inspire the world.

A best seller of all time. 7,000 copies of Hugo’s novel were sold out within 24 hours of the first Paris edition then translated and published in ten other countries.

Today in Great Britain alone approximately 50,000 copies are sold each year.

To serve it is a major undertaking.

I was asked to write of my experience. I declined! – in the scheme of things it matters little.

I work – I love my work and now, along with Tony, Briar and “the team” I have adored supporting these people (all local) who work too – and this more than special piece Les Misérables (which we all hope will work for you).

Employment in professional theatre for many years was invaluable – but it’s here in Napier – where thirty five years ago I was given a little licence ‘to fly’ and now working for and with this society – well, it’s been my special ‘stamping ground’ and it’s where my heart is.

ANTHONY FERNER
Musical Director

Anthony Ferner has been based in Sydney as a professional musician for the last fifteen years. During this time he has had a successful international career as a flautist in Australia, Europe and New Zealand and as a member of the Sydney Symphony and Australian Opera and Ballet Orchestras.

Born in New Zealand, he is a graduate in music from Canterbury University and a past winner of the New Zealand National Concerto Competition in Christchurch. He studied flute and conducting at the Guild Hall School of Music in London, and later worked in Italy, teaching and performing.

As a conductor, he has wide experience with orchestras and operatic societies in Australia and opera in New Zealand. He has conducted the Sydney and Melbourne ABC Symphony Orchestras and is Musical Director of The Sydney Mozart Players, which he founded in 1991. In 1992 he conducted concerts with the St. Petersburg Chamber Orchestra and the Radio-TV Orchestra in Tbilisi, Georgia.

Since his return to New Zealand in 1994 he has become Musical Director of the Hamilton Music School, and has been guest conductor and soloist of the Hawke’s Bay Regional Orchestra.

BRIAR HORROCKS
Movement Associate and Choreographer

Briar started dancing at the age of 8 and part time teaching at the age of 13. She opened her own school when she was 24 and formed her own dance company when she was 27. Two years later she won the first Choreographic Competition held in New Zealand with a classical ballet which was later performed by the New Zealand Ballet in a workshop performance.

Her first introduction to showbiz was in 1963 when she sold programmes for “Zip Goes a Million”, and since then she has performed in or choreographed 29 shows. The last seven have been for Napier Operatic Society. “Les Misérables” will be her thirtieth production and undoubtedly the main highlight. She considers herself most fortunate to breath [breathe] the same air as some of the great talents of Hawke’s Bay.

Victor Hugo –
France’s Favourite Son

Victor Hugo was born in 1802 of a much loved conservative mother and a distant, heroic soldier father who rose to be a general.

The period 1828-1830 was crucial in Hugo’s life. A dispute over Napoleonic titles sparked a change in his ideas although he was more of an emotional than a political radical. He was inspired by the theatre and became the captain of the romantics with his play Hernani.

At about this time, Hugo met actress Juliette Drouet, who was to be his mistress for the next 50 years: by no means the only one, but certainly the most loyal. She never lived more than walking distance away from him and wrote at least a letter a day till she died.

In 1861, he completed his Les Misérables. There is a famous story that, after publication of the first volume Hugo sent a telegram to his publisher. It simply said “?”. The answer came back by return “!”. His publisher made more than half a million francs out of the first six years’ sales.

The most abiding picture of Hugo is that of the exile: the Guernsey Tribunal dispensing judgement and truth across Europe, his patriarchal image enhanced by the beard he grew to protect his weak throat. He was proud, egocentric, sometimes mean, often unfaithful. But he was a great man, recognised as such and loved by his countrymen.

In March 1871, the short-lived Paris Commune was declared – a revolutionary attempt to resist humiliating peace terms in the Franco-Prussian War. Victor Hugo, in Brussels to settle the affairs of his son who had just died, was mobbed by a Belgium crowd who identified him with the excess of the Commune. They broke his windows, shouting “down with Victor Hugo, down with Jean Valjean”. The Belgium government expelled Hugo; although his support for the Commune was equivocal, he was opposed to its violence.

Hugo suffered a minor stroke in 1878. Three years later, all France turned out to celebrate as Hugo entered his 80th year. There was a procession past his house and cheering crowds stood for hours under his window. It was in a sense a State funeral for possibly the most famous man in the world at that time. For his actual funeral in 1885, Hugo had asked for a simple pauper’s funeral. In fact his coffin was laid under the Arc De Triomphe for an all night mass vigil and the funeral procession took six hours to pass.

Hugo was France’s favourite son, but more than that, for years he had been her champion, her conscience and her spirit.

Les Misérables – 19th Century

People reduced to the extremity of need are also driven to the utmost limits of their resources, and woe to any defenceless person who comes in their way. Work and wages, food and warmth, courage and goodwill – all is lost to them. The daylight dwindles into shadow and darkness enters their hearts; and within this darkness man seizes upon the weakness of woman and child and forces them into ignominy. No horror is then excluded. Desperation is bounded only by the flimsiest of walls, all giving access to vice and crime… they appear utterly depraved, corrupt, vile and odious; but it is rare for those who have sunk so low not to be degraded in the process, and there comes a point, moreover, where the unfortunate and infamous are grouped together, merged in a single fateful world. They are Les Misérables – the outcasts, the underdogs.

– VICTOR HUGO

Les Misérables – 20th Century

In November, 1982, English theatre entrepreneur, Cameron Mackinstosh hears the French recording of Boublil and Schönberg’s “Les Misérables” and fell in love with it. “It was an instant combustible decision,” says Mackintosh, who went to work straight away to gather a team of people to translate and re-work the show for the West End and Broadway.

After a time he settled on Trevor Nunn and John Caird as directors and adaptors. He accepted that the Royal Shakespeare Company would have an enormous input. They collaborated with Boublil and Schönberg and with the Sunday Times drama critic, James Fenton.

Together they re-wrote the entire libretto, introducing the twenty minute Prologue, “The Café Song” and Marius’ lament for his dead comrades – “Empty Chairs at Empty Tables”. The sewer scene was added.

Herbert Kretzmer was brought in in 1985 to finish more new lyrics, working day and night with Schönberg on Javert’s “Stars”, the prostitutes’ “Lovely Ladies”, Eponine’s “On My Own” and Cosette’s “Castle On a Cloud” to name but four. Thenardier’s “Dog Eat Dog” was added and Jean Valjean’s soliloquy, “Bring Him Home”, was completed only three weeks before opening night. The words to “Bring Him Home”, a song which sums up Valjean’s lifetime, from selfishness to altruism, were written overnight.

The first preview was over four hours long – the knives had to come out, and some songs were shortened and scenes were cut. By the time “Les Misérables” got to Broadway, 40 minutes had been removed, a theatrical legend had been created and the standard reference for all subsequent productions of “Les Misérables” had been set.

At a political meeting in a small café, a group of idealistic students prepare for the revolution they are sure will erupt on the death of General Lamarque. When Gavroche brings news of the General’s death, the students, led by Enjolras, stream out into the streets to whip up popular support. Only Marius is distracted by thoughts of the mysterious Cosette.

Cosette is consumed by thoughts of Marius, with whom she has fallen in love. Valjean realises that his “daughter” is changing very quickly but refuses to tell anything of her past. In spite of her own feelings for Marius, Eponine sadly brings him to Cosette and then prevents an attempt by her father’s gang to rob Valjean’s house. Valjean, convinced it was Javert who was lurking outside his house, tells Cosette they must prepare to flee the country. On the eve of the revolution, the students and Javert see the situation from their different viewpoints; Cosette and Marius depart in despair of ever meeting again; Eponine mourns the loss of Marius; and Valjean looks forward to the security of exile. The Thénardiers, meanwhile, dream of rich pickings underground from chaos to come.

The students prepare to build the barricade. Marius, noticing that Eponine has joined the insurrection, sends her with a letter to Cosette, which is intercepted at Rue Plumet by Valjean. Eponine decides, despite what he has said to her, to rejoin Marius at the barricade.

The barricade is built and the revolutionaries defy an army warning that they must give up or die. Gavroche exposes Javert as a police spy. In trying to return to the barricades, Eponine is shot and killed. Valjean arrives at the barricades in search of Marius. He is given the chance to kill Javert but instead lets him go.

The students settled down for a night, Valjean prays to God to save Marius from the onslaught which is to come. The next day, with ammunition running low, Gavroche runs out to collect more and is shot. The rebels are killed including their leader Enjolras.

Valjean escapes into the sewers with the unconscious Marius. After meeting Thénardier who is robbing the corpses of the rebels, he emerges into the light only to meet Javert once more. He pleads for time to deliver the young man to hospital. Javert decides to let him go and his unbending principles of justice having been shattered by Valjean’s own mercy, he kills himself by throwing himself into the swollen River Seine.

A number of Parisian women come to terms with the failed insurrection and its victims.

Unaware of the identity of his rescuer, Marius recovers in Cosette’s care. Valjean confesses the truth of his past to Marius and insists after the young couple are married, he must go away rather than taint the sanctity and safety of their union. At Marius and Cosette’s wedding, the Thénardiers try to blackmail Marius. Thénardier says Cosette’s “father” is a murderer and as proof produces a ring which he stole from the corpse in the sewers the night the barricades fell. It is Marius’ own ring and he realises it was Valjean who rescued him that night. He and Cosette go to Valjean where Cosette learns for the first time of her own history before the old man dies, joining the spirits of Fantine, Eponine and all those who died on the barricades.

SYNOPSIS

PROLOGUE: 1815, DIGNE
Jean Valjean, released on parole after 19 years on the chain gang, finds that the yellow ticket-of-leave he must by law display, condemns him to be an outcast. Only the Bishop of Digne treats him kindly and Valjean, embittered by years of hardship, repays him by stealing some silver. Valjean is caught and brought back by the police, and is astonished when the Bishop lies to the police to save him, also giving him two precious candlesticks. Valjean decides to start his life anew.

1823, MONTREUIL-SUR-MER
Eight years have passed and Valjean, having broken his parole and changed his name to Monsieur Madeleine, has risen to become both a factory owner and Mayor. One of his workers, Fantine, has a secret illegitimate child. When the other women discover this, they demand her dismissal. The foreman, whose advances she has rejected, throws her out.

Desperate for money to pay for medicines for her daughter, Fantine sells her locket, her hair, and then joins the whores in selling herself. Utterly degraded by her new trade, she gets into a fight with a prospective customer and is about to be taken to prison by Javert when “The Mayor” arrives and demands she be taken to hospital instead.

The Mayor then rescues a man pinned down by a runaway cart. Javert is reminded of the abnormal strength of Convict 24601 Jean Valjean, a parole-breaker whom he has been tracking for years but who, he says, has just been recaptured. Unable to see an innocent man go to prison in his place, Monsieur Madeleine confesses to the court that he is Jean Valjean, Prisoner 24601.

At the hospital, Valjean promises the dying Fantine to find and look after her daughter Cosette. Javert arrives to arrest him but Valjean escapes.

1823, MONTFERMEIL
Cosette has been lodged for five years with the Thénardiers who run an inn, horribly abusing the little girl whom they use as a skivvy while indulging their own daughter, Eponine. Valjean finds Cosette fetching water in the dark. He pays the Thénardiers to let him take Cosette away and takes her to Paris. But Javert is still on his tail…

1832, PARIS
Nine years later, there is great unrest in the city because of the likely demise of the popular leader, General Lamarque, the only man left in the Government who shows any feeling for the poor. The urchin Gavroche is in his element mixing with the whores and beggars of the capital. Among the street gangs is one led by Thénardier and his wife, which sets upon Jean Valjean and Cosette. They are rescued by Javert, who does not recognise Valjean until he has made good his escape. The Thénardiers’ daughter, Eponine, who is secretly in love with the student, Marius, reluctantly agrees to help him find Cosette, with whom he has fallen in love.

Cast in Order of Appearance

Jean Valjean   Robert Houston
Javert   David Pipe
Chain Gang   Lex Barker, Sam Browne, Gerard Cook, Ross Corbett, Roy Holderness, Tony Ironside, Campbell Scott, John Williams, Guy Whitchelo
Warders   Allen O’Halloran, Michael Tibbles
Farmer   Dean Roberts
Labourer   Campbell Scott
Peasants   Company members
Innkeepers Wife   Penelope Carney
Innkeeper   Roy Holderness
Bishop of Digne   Ray Hambly
Bishop’s Sister   Eileen von Dadelszen
Constables   Lex Barker, John Marshall
Unemployed and Poor   Lex Barker, Katy Black, Sam Browne, Ross Corbett, Rachael Hague, Fleur Hannah, Roy Holderness, Tony Ironside, John Marshall, Jill McTeigue, Lesley Reid, Sarah Reid, Sylvia Richardson, Wiremu Te Kani, Aaron Ward, Jill Williams, Guy Whitchelo, Rebecca Greer, Jasmine Toynbee
Factory Girls   Penelope Carney, Margot Bell-Connell, Rebecca Hague, Philippa Jones, Sarah Reid, Eileen von Dadelszen
Foreman   John Williams
Pay Clerk   Allen O’Halloran
Fantine   Wynne Delatour [de Lautour]
Sailors   Lex Barker, Sam Browne, Dean Roberts, Campbell Scott
Whores   Margot Bell-Connell, Deborah Burnside, Penelope Carney, Robyn O’Hagan, Lynda Pipe, Joanne Stevens, Kerry Unsworth, Julie Williams
Old Woman   Sylvia Richardson
Crone   Julie Evans
Pimp   Guy Whitchelo
Bamatabois   Roy Holderness
Constable   Aaron Ward
Fauchelevant   Tony Ironside
Judges   Sam Browne, Ross Corbett, Dean Roberts
Prisoner   Roy Holderness
Sister Simplice   Penelope Carney
Little Cosette   Jemma Davies, Antoinette Hannah
Madame Thenardier   Birgitta Sollman-West
Little Eponine   Nina Bonica, Elana McNeill
Thenardier   Robert Hickey
Drinkers, Diners & Travellers Lex Barker, Sam Browne, Penelope Carney, Gerard Cook, Ross Corbett, Anita Davies, Fleur Hannah, Roy Holderness, Tony Ironside, Jill McTeigue, Lesley Reid, Sylvia Richardson, Dean Roberts, Campbell Scott, Michael Tibbles, Eileen von Dadelszen, Guy Whitchelo, Jill Williams, John Williams
Young Cosette   Katy Black, Rachael Hague, Philippa Jones
Cosette   Tracey Mellelieu
Beggars of Paris   Company Members
Gavroche   Geordie Anderson
Old Beggar Woman   Eileen von Dadelszen
Prostitute   Kerry Unsworth
Pimp   Lex Barker
Enjolras   Simon Thompson
Marius   Stuart Coats
Montparnasse   Thénardier’s Gang    Aaron Ward
Babet   Thénardier’s Gang   Gerard Cook
Brujon   Thénardier’s Gang   Sam Browne
Claquesous   Thénardier’s Gang   Allen O’Halloran
Eponine   Tracy Crosse
Students   Campbell Scott, John Marshall, Ross Corbett, Gerard Cook, Michael Tibbles, Allen O’Halloran, Aaron Ward, Wiremu Te Kani, Walt Rutgers, Guy Whitchelo
Voice of the National Guard   Dean Roberts
Nun   Jill Williams
Major Domo   Gerard Cook
Wedding Guests   Margot Bell-Connell, Deborah Burnside, Robyn O’Hagan, Lynda Pipe, Joanne Stevens, Kerry Unsworth, Julie Williams, Ross Corbett, John Marshall, Allen O’Halloran, Walt Rutgers, Campbell Scott, Michael Tibbles, Aaron Ward
Servants   Wiremu Te Kani, Guy Whitchelo

All company play peasants, beggars, townsfolk, citizens, children in various guises.

The Revolutions of France

Pre-revolutionary France had a social and political system of tyrannical oppression by the privileged classes. Crippling taxation raised in the name of the Bourbon King Louis XVI combined with a disastrous harvest in 1788 and followed by an exceptionally harsh winter, all intensified the misery of the poor. Calls for reform were met with resistance by Louis XVI, and a small insurrection in Paris led to Civil War and the rise of anti-Royalist sentiment. This was the start of the French Revolution.

In 1832, 43 years had passed since the outbreak of the French Revolution. Since that famous and bloody storming of the Bastille in 1789, France had executed her Bourbon King Louis XVI and Queen Marie Antoinette, and declared a Republic. The French had lived or (in the case of 40,000) died by the guillotine, through a Reign of Terror run by a General Assembly finally headed by Robespierre. Twice France had had Napoleon Bonaparte as a leader and emperor of the nation. Two more Bourbon kings – Louis XVIII and Charles X had been placed on and removed from the throne, only to be replaced in 1830, by a new L’Orleans arm of the royal family represented by Louis Philippe.

The July Revolution of 1830 had placed Louis Philippe on the throne but people were quickly disenchanted because social justice did not appear to be served. No matter who was in power, monarchist or republican, it seemed that the general mass of people was not much better off. The miserable ones were still miserable. Yet there was a change, because by then at least three generations – grandparents, parents and children – had adopted either monarchist or republican ideals, often in open conflict with one another.

The latest wave of youth was very much against the divine right of the restored monarchy and were trying to re-establish the democratic spirit of a new republic. They looked back to 1789 and saw hope. There were some members of the administration who were openly sympathetic to the Republican ideals of Equalité, Liberté and Fraternité. One such man was General Lamarque – Napoleonic hero and man of the people.

Lamarque’s death and subsequent funeral procession on June 5, 1832 led to a spontaneous outburst by the populace. People tore up paving stones, and brought barrels, tables, carts, furniture out into the streets. Barricades were built. Civil unrest broke out. There was a massive letting of blood and anger. Working people and students stood against the repeated attacks of the Royal Guard and the Police. The National Guard was in disarray, many members could not join the call to put down the rebellion and in fact joined the rebels. The newspapers were closed down and the printing plates smashed. Nevertheless the whole world knew about the uprising and the world frowned upon the French authorities.

This June Insurrection of 1832 lasted two days. Rifle fire and bloodshed ceased at 5pm on June 6, less than 48 hours after it began. Over 600 students and working citizens were killed. It is this incident which has been etched in history by Victor Hugo’s vivid accounts in Les Misérables. Although it had failed, this insurrection of the poor, against the corrupt, had laid the ground for further subversion, especially as the National Guard’s allegiance to the monarch waned.

It was not until February 1848, when the National Guard sided with the people, that Louis Philippe was removed and the Second Republic declared.

More bitterness and indecision continued. Louis Napoleon dissolved the latest Parliament and declared himself Emperor. Once again the people had to rise and in 1871, the Third Republic was firmly installed and Victor Hugo himself entered Parliament as an elected member. The 1832 Insurrection of Enjolras and Marius had finally succeeded.

PRINCIPALS

ROBERT HOUSTON
Jean Valjean

To have Bob play the vital and central role of Jean Valjean was always Gillian’s dream for “Les Misérables”.

Bob’s consummate talent and skill, his sympathy, integrity and humility both as a singer and actor have allowed this society to cast this demanding role locally and outstandingly.

Bob has found the character of Valjean immensely challenging and rewarding – requiring him to begin as a 49 year old bitter, crazed convict, progressing through this stirring tale to an elderly dying gentle man.

Forty years of productions for this Society – productions such as “Chu Chin Chow”, “The Vagabond King”, “Camelot”, “Man of La Mancha” and “Canterbury Tales” have strongly changed my views about musicals says Bob.

“My passion is now not just for the music – but for total theatre involvement and this gives me great satisfaction.

I’m delighted to be part of such an inspired production of such a great work and continue to be so impressed by the commitment and responsibility of the talented young cast”.

DAVID PIPE
Javert

Dave is well known in Hawke’s Bay both as the morning talkback host on Newstalk ZB, and in theatrical circles. His first taste of theatre was on his return from a year’s teaching in 1971 on Volunteer Service Abroad, when he appeared in White Horse Inn. Director Dick Johnston cast Dave as the romantic lead “Tony” in Hastings Musical Comedy’s “The Boyfriend”. Numerous shows followed including “Fiddler on the Roof”, “West Side Story”, Romeo and Juliet” and “Godspell”.

Overseas travel and family commitments kept Dave from treading the boards in the ‘80’s but in the last couple of years he’s been lured back by roles like Sergeant Frank in Napier Repertory’s “Once on Chunak [Chunuk] Bair”, and the Merchant in Napier Operatics “Canterbury Tales”. Dave believes Javert is his most demanding role yet, and the first opportunity since 1977’s “Godspell” to be in a show with his wife Lynda. “Les Misérables” is very much a family affair for the Pipes with his youngest son, 7 year old Matthew, in a debut walk on role in some performances.

WYNNE DE LAUTOUR
Fantine

Such a find! And such a lovely lady.

The mother of three, Wynne has travelled three hours for every rehearsal and considers it a real privilege to be part of such a special production and to play the important role of Fantine.

The Society welcomes her most warmly. “When I auditioned,” says Wynne, “I sang ‘I Dreamed a Dream’ and hearing the wealth of talent, I gave up all hope and put that dream firmly to the back of my mind. I was absolutely delighted when I was recalled – and have totally enjoyed every minute of this challenging production.”

Having played only one role before in a Central Hawke’s Bay production of “South Pacific”, my experience is negligible – but my desire is great – so here goes!!

SIMON THOMPSON
Enjolras

Simon has dreamed about “Les Misérables” for about three years and leapt at the chance to perform in it. He has been performing from the age of 12. During his five years at Napier Boys High School, Simon took part in many school productions including lead roles. He has also performed with the Napier Frivs, Napier Repertory Theatre, Hawke’s Bay Song and Opera Workshop and Hastings Musical Comedy.

For Napier Operatic, he has appeared in “Evita”, “Me and My Girl”, “Joseph” as the lead role and Diesel in “West Side Story”. For the past two years, Simon has been a student at the Hawke’s Bay Polytechnic Performing Arts Course studying under Anne Reissar and Joe Christensen and gained a Performance Singing Diploma. Future plans include professional work in theatre and further study and vocal tuition elsewhere.

STUART COATS
Marius

Stuart first appeared on stage in 1985, and has virtually lived in theatre ever since. Whilst attending Central Hawke’s Bay College he was involved in many productions around the area, including “Guys and Dolls”, “South Pacific”, “A Man For All Seasons” and numerous others.

In 1991 Stuart moved to Wellington to attend Victoria University. There he studied music, majoring in performance voice under the tutorage of Emily Mair. During the three year course Stuart performed in many recitals and operas. He also was an active member of Victoria Universities Drama Club, attaining the hallowed rank of President in 1992. In 1993 Stuart completed his degree and also toured North America with the National Youth Choir, of which he is still a member.

Last year Stuart took a year off life and hence did 12 productions as (in no particular order) a writer, producer, actor, singer, lighting technician and stage manager.

TRACEY MELLELIEU
Cosette

Tracey Mellelieu though living in Hastings studies singing with Rosemary Gordon of Wellington. In July 1994 she was a guest student at the International Singing Teachers Congress held in Auckland, and worked with peter [Peter] Harrison from London. In 1993 she participated in the Mobil Song Quest Masterclass and was awarded the National Singing School Royal Overseas League Scholarship.

She has been involved in Operatic Society productions in Hawke’s Bay and Palmerston North. Notably Lady Bellaston in “Tom Jones” and Eva Peron in Palmerston North Operatic Societies production of “Evita”. She performed the role of Mercedes in Hawke’s Bay Opera “Carmen”, and was a soloist with the Hastings Choral Societies Oratorio “Samson”.

She has recently graduated with Honours from the Hawke’s Bay Polytechnic Diploma in Performing Arts (Voice), and is a qualified medical laboratory scientist.

TRACY CROSSE
Eponine

Tracy is still in a state of shock about being chosen to play the role of Eponine.

In her wildest dreams she never imagined she would be the one!! Although she has always loved the theatre and all the excitement that goes with it!

Napier Operatic sponsored Tracy, 21, into the National Singing School in January. Where she won the top Scholarship – a year’s tuition at the Diploma in Performing Arts (Voice) at the Hawke’s Bay Polytechnic.

Eponine is Tracy’s first major singing and acting challenge. “It’s a tough role, mentally exhausting but I love being Eponine.”

Tracy has studied singing with Dawn Unsworth of Napier for the past three years and after the two year diploma course plans to study overseas.

ROBERT HICKEY
Thénardier

Born and bred in Napier, Robert’s first role, at age five, was that of an anonymous blackbird in a crepe paper pie. His career as a director and actor has taken him throughout New Zealand with productions including “Anything Goes”, “My Fair Lady” and “Chess”. He has directed six productions for Napier Operatic Society and taken principle [principal] roles in “The Gingerbread Man”, “Chicago”, “Me and My Girl” and more others than he cares to remember.

This year Robert is taking time out from a role in Auckland to perform in “Les Misérables” and direct “A Slice of Saturday Night”.

He is reputed to be too clever by half; which half is yet to be determined.

BIRGITTA SOLLMAN-WEST
Madame Thénardier

Birgitta has been performing on stage in England and then New Zealand since the age of eight. After competing extensively in British Drama Festivals as a child, she studied an Honours degree in English and Drama at Kent University, worked in radio in London and then moved to New Zealand in 1988. She has since travelled and lived in both islands working as an English and Drama teacher and performing in theatre companies in Otago, Wellington, Canterbury and Taranaki. Favourite lead roles to date include Eva Peron in “Evita”, Mary Magdalene in “Jesus Christ Superstar”, Adelaide in “Guys ‘n Dolls” and Golde in “Fiddler on the Roof”. She moved to Hawke’s Bay in 1994, and starred as Anita in Napier Operatic’s “West Side Story” in the same year. Plus playing Gertrude in Keirunga Theatre’s production of “Hamlet”. She has enjoyed tapping into the darker side of human nature in Madame Thénardier’s character.

“It is time for us all
To decide who we are.
Do we fight for the right
To a night at the opera now?
Have you asked of yourselves
What’s the price you might pay?
Is it simply a game
For rich young boys to play?
The colour of the world
Is changing day by day…
Red – the blood of angry men!
Black – the dark of ages past
Red – a world about to dawn!
Black – the night that ends at last!”

The Orchestra

Violins   Norma Smith
Tiffany Anderson
Marea Smith
Helen Dunlop
Sascha Nolden
Joanne Hare

Voila   Sue Branch
Ian Bruce
Cathy Brenstrum

Cello   Fiona Dunn
Wendy Johnson

Flute/Piccolo   Sarah Tait Jamieson

Oboe/Cor Anglais   Julian Pook

Clarinet/Alto Saxophone   Hugh Tuckwell

French Horns   Bernie Mann
Michael Winter

Trumpets   Anthony McKee
Julie Williams
Tane McLeay

Trombone   Keith Robinson

Keyboards   Anne Jago
Jan Beck

Bass Guitar   Paul du Fresne
Anthony Flack

Acoustic
Electric Guitar   David Ferguson

Drums   Joe Atkin

Percussion   Grant Myhill

Music

Prologue   Valjean, Javert and Company Members
Soliloquy   Valjean
At The End Of The Day   Unemployed and Factory Workers
I Dreamed A Dream   Fantine

Lovely Ladies   Whores and Sailors
Who Am I?   Valjean
Fantine’s Death/Come to Me   Fantine, Valjean and Javert
Castle On A Cloud   Young Cosette
Master Of The House   Thénardiers and Customers
Bargain And Waltz Of Treachery   Thénardiers and Valjean
The Beggars   Gavroche and the Beggars
Stars   Javert
Red And Black   Enjolras, Marius and Students
Do You Hear The People Sing   Enjolras, Students and Citizens
In My Life   Cosette, Valjean, Marius and Eponine
A Heart Full Of Love   Cosette, Marius and Eponine
One Day More   Company Members

INTERVAL

On My Own   Eponine
A Little Fall of Rain   Eponine and Marius
Drink With Me   Students and Women
Bring Him Home   Valjean
Dog Eats Dog   Thénardier
Javert’s Suicide/Soliloquy   Javert
Turning   Women
Empty Chairs At Empty Tables   Marius
Wedding Choral   Guests
Beggars At The Feast   Thénardiers
Epilogue   Entire Company

The production is approximately three hours 15 minutes in length with one 20 minute interval.

Photo caption – “The unfortunate creature became a woman of the town.”

GERARD COOK
“Les Misérables” is Gerard’s second show for Napier Operatic having performed as Ernst Ludwig in last years [year’s] “Cabaret”. He has also performed in Napier for the Napier Frivs in “Anything Goes” and “Hello Dolly”. He originally caught the stage bug in 1990 when he first performed on stage in Wellington Operatic’s “Me and My Girl”, and was constantly on stage in Wellington until moving to Napier in 1992.

ANITA DAVIES
Anita made her debut at the age of four as a pupil of Ivena Pothan. She sang regularly for 10 years on a radio show and played the cello with the NZ Junior Orchestra. She has appeared in many Hawke’s Bay productions. At present Anita is Secretary of the Napier Operatic Social club and refers to the Tabard Theatre as her second home.

JULIE EVANS
A dream has come true for Julie becoming a “Les Misérables” cast member after hearing it five years ago. Julie has played lead roles in “Pyjama Game”, “Anything Goes” and “Annie”. She has also done Theatresports, Faulty Towers and other improvisation nights in restaurants and lately directed some shows in Hastings. Her first show with Napier Operatic has been a great experience for her.

RACHAEL HAGUE
After singing in the performing arts for the past 14 years, Rachael has developed a considerable amount of confidence on stage. She has also developed her dancing skills through doing ballet for 11 years. Her drama experiences include Theatresports, where she competed in the Hawke’s Bay Regional Secondary Schools Competitions and was placed third, and is now currently studying drama.

ROSS CORBETT
Ross was last involved with Napier Operatic in 1980 – “Jesus Christ Superstar”. Various productions and folk-rock groups in Hastings and Palmerston North followed. More recently Ross has been involved in classical choir and solo work in the Manawatu and provided musical assistance in school productions. Now teaching at Taradale High School, Ross tries to find time for his recently expanded family and he also enjoys the odd triathlon.

JEMMA DAVIES
Jemma is nine years old and is a pupil at Nelson Park School in Napier. She plays the piano and violin, learns ballet and does competition gymnastics.

This is the first major stage production Jemma has been involved in and she is loving being part of such a wonderful show.

REBECCA GREER
Rebecca has been involved in speech and drama since the age of four achieving honours in all her exams. Her initiation into speech and drama happened purely by chance. While attending a lesson of her brothers, not to be outdone, Rebecca made it clear she wanted to be a part of it. Rebecca won the part of understudy to Eponine and a place for herself in the chorus of “Les Misérables”. This is her first experience in theatre and one she finds challenge and exciting.

REBECCA HAGUE
Born and bred in Hawke’s Bay, Rebecca has been involved in the performing arts from an early age. This includes dancing, singing, piano, violin and acting. She has just recently completed the Diploma in Performing Arts (Voice) at Hawke’s Bay Polytechnic. In recent years Rebecca has been an active member of Napier Operatic Society productions such as “West Side Story” and “Canterbury Arms”. Rebecca hopes to further her career later this year when she moves to Melbourne.

“A child like me is a man and men like you are children!”

“This poor weak child, Cosette, unnecessarily punished, scolded, cuffed and beaten…”

“Eponine Thénardier, pretty – spoilt and seemingly charming.”

GEORDIE ANDERSON
Thirteen year old Geordie Anderson, a pupil at Colenso High School, has a wide and varied interest in music. He is an accomplished violinist, plays the drums, sings in a rock group and has played lead parts in musicals staged by primary and intermediate schools. Last year Geordie enjoyed performing in “Canterbury Arms Music Hall” for the first time.

MARGOT BELL-CONNELL
A stage debut at age three began Margot’s long association with the performing arts. Winning scholarships in drama and ballet Margot elected to study at the NZ School of Dance which led to professional work with Television New Zealand. Margot has since performed lead roles and choreographed musical theatre productions in Palmerston North, Masterton, Sydney, Hastings and Napier.

NINA BONICA
Nina is a seven year old pupil who attends Central School, Napier.

She has a keen interest in dance and drama, but this is her first serious attempt on the stage.

DEBORAH BURNSIDE
Involved in ballet and dance throughout her childhood and early teens, Deborah is thrilled to be returning to the stage in the “Les Misérables” production. Under the tuition of Phyllis Smith, Deborah was selected to appear locally with the Royal New Zealand Ballet in the “Nutcracker” and “Coppelia”. Deborah is also a past recipient of the Constance MacDonald Scholarship to further her ballet training.

LEX BARKER
Thespian and troubadour from wayback, Lex’s first adult appearance was in Napier repertory’s “Under Milkwood” in 1969 -a long way from the Welsh eisteddfods of his youth. Over the years he has performed for all local companies and produced many school plays and musicals. Better known for his character acting than singing, Lex counts as his highlights, the rolls [roles] of “Fagin”, “Panch Sanza” [Sancho Panza] “Ko-Ko” and “Major General”.

KATY BLACK
Speech and drama lessons begun at the age of six have fuelled Katy’s love of the theatre and the arts, taking her to a lead role in her school’s musical production in 1993 as a 4th former. She gained a Pass With Distinction in Grade 8 Speech last year also. Within her busy lifestyle, she plays the trombone, does competitive athletics and reads avidly.

SAM BROWNE
A love of music has always been a part of Sam’s life including choral singing and live theatre. He has earned a number of roles with Hastings Operatic Society and is also involved with the Hawke’s Bay Song and Opera, both in chorus and administration.

PENELOPE CARNEY
“Les Misérables” is Penny’s first appearance with Napier Operatic Society. After a long absence, she has returned to the stage in recent years with the Napier Frivolity Minstrels “Show Extravaganza” and “Anything Goes”. A love of singing in musicals, choirs and bands has been with her since school and university days.

Children of Les Misérables

“Year by year the child grew, and so did her wretchedness.”

“Little Eponine – smug and deceitful.”

LESLEY REID
Lesley has recently appeared in “Jerome Kern”, “Nunsense” and “Cabaret” with Napier Operatic. An experienced choral singer, she trained at the Convent of Mercy in Timaru and has performed leading roles with the South Canterbury Operatic Society. Lesley is a Bank Manager and a member of the Napier Operatic Society Executive. She enjoys all the arts and considers herself a “part-time jogger”.

SYLVIA RICHARDSON
Sylvia involvement in theatre has played a major part in her life and as one of the more senior members of the cast she brings to “Les Misérables” a variety of talents, acting in drama, comedy, farce and musical theatre. In 1994 she successfully directed “Hello Dolly”. Sylvia has previously appeared in Napier Operatic productions “Annie”, “Chicago”, “Tom Jones” and “Canterbury Tales”.

WALT RUTGERS
Walt’s grounding in musical theatre started at high school and has lead to an involvement in all facets of theatre production, particularly lighting and set design.

Since his first appearance on stage in “Jesus Christ Superstar”, 14 years ago, Walt has appeared in “Cabaret”, “Annie”, “Chicago” and “Nostalgia”. “Les Misérables” provides Walt an exciting opportunity to return to the stage.

JOANNE STEVENS
Joanne’s first appearance with Napier Operatic was as Marta in “The Sound of Music”. Since then she has performed in various productions with Wellington Operatic Society, Wellington Repertory, Hastings Musical Comedy and Napier Repertory. Joanne has had principle [principal] roles including Charity in “Sweet Charity”, Mary Magdalene in “Jesus Christ Superstar”, Eva Peron in Napier Operatic’s production of “Evita” and Sally in “Me and My Girl”.

MICHAEL TIBBLES
“Les Misérables” is Michael’s first production but he has always had a keen interest in theatre. In his 6th form year at college one of his subjects was Performing Arts. From the age of 16 he has been involved in two different bands and has recently been accepted for a course at the Hawke’s Bay Polytechnic to do a Diploma in Drama and Performing Arts.

KERRY UNSWORTH
At 17, Kerry’s first production with the Napier Operatic Society was as Sandy in “Grease” 1979. In 1982 she moved to Auckland, after being invited to join a TVNZ workshop for young talent, and enjoyed working in the Entertainment Departments/Studios at TVNZ as well as the Radio industry. Her versatility has lead [led] to roles in over 27 productions and Music Halls to date. “Les Misérables” is Kerry’s first major production since returning to the Bay with her young family.

SARAH REID
Sarah’s involvement with the society began at an early age. Performing in “Music Halls” in the late 1970’s, then playing roles in “Annie”, “Oliver” and “Tom Jones”. Also appearing in “Mack and Mabel” and recent “Music Halls”. Sarah has studied modern dance, speech and drama and continues singing lessons. She has also performed with the HB Song and Opera workshop.

DEAN ROBERTS
From the first stage appearance, aged 11 in the pantomime “Jack and the Beanstalk”, continuing through High School playing Col. Pickering in “Pygmalion”, Dean has been involved in over 30 productions.

After 10 years in Chicago, receiving a degree in Music Education, Dean returned to the Bay in 1989.

He has been Musical Director for several shows including “Pink Champagne” and “Pirates of Penzance” and recently took the role of Pish Tush in “The Mikado”.

Dean’s last show with Napier Operatic was “Grease” in 1979 and he is delighted to be back for “Les Misérables”.

CAMPBELL SCOTT
Campbell has a background in dance having trained with Anne Bradley and spending one year with Annes [Anne’s] Fusion Dance Theatre.

Campbells’ [Campbell’s] credits include Die Fladermaus [Fledermaus] (Dunedin), a stint with improvisation group Playback theatre (Wellington) and Magic of Debussy (Napier).

His musical theatre debut was as Bernado in “West Side Story” (Wellington) and he has since performed in “West Side Story”, “Canterbury Tales” and “Cabaret” for Napier Operatic.

WIREMU TE KANI
Wiremu took an interest in theatre when he took part in his secondary school production of “Masque” in 1993. From there he was accepted for the Diploma in Performing Arts (Drama) where he is now studying his second year and has taken part in course related productions, “The Passion and the Power” and “Teechers”.

JASMINE TOYNBEE
Jasmine has had previous stage experience in productions such as the Hastings Operatic Society’s “Raggedy Ann” in 1993 and last years [year’s] Frivs production of “Cinderella”. She enjoys lessons in drama and piano and is keen to learn singing. Jasmine is 10 years old and attends Taradale Primary School.

EILEEN VON DADELZSEN
A graduate in French and a singer since childhood, Eileen is delighted to combine both interests in “Les Misérables”. Her other interests include her supportive husband and five children, her work as a planning consultant, and her Master’s degree (in Public Policy) which she intends to complete this year.

Although Eileen has taken part in many Hawke’s Bay productions, this is the first for Napier Operatic.

RAY HAMBLY
Ray’s life-long interest in music has had him involved in choirs, bands, orchestras and school productions. His stage experience began in 1984, with a role in Taradale High Schools’ “Oliver”. Since then he has been cast in the Napier Frivs 1993 production of “Anything Goes” and Napier Operatics 1994 “Music Hall”.

FLEUR HANNAH
Fleur’s interest in theatre spans many years and includes chorus work and drama, directing an entertainment group for 12 years and performing in “Canterbury Tales” for Napier Operatic. She has just completed a two year course in Vocal Performance at Hawke’s Bay Polytechnic, and is currently a student with Joseph Christiansen. Fleur is enjoying working in “Les Misérables”.

TONY IRONSIDE
When injuries put an end to Tony’s love for long distance running, theatre took over. Since 1981 Tony has enjoyed a wide range of support roles in both musical and drama productions with Pukekohe and Hawke’s Bay Societies including “Man of La Mancha”, “Gershwin”, “Me and My Girl”, “Anything Goes” and many Music Halls.

ELANA McNEILL
Elana is seven years old and attends St Patrick’s School in Napier. Her hobbies are reading, writing, swimming and biking. Elana also learns the piano and this her second time on stage.

JOHN MARSHALL
John moved from Auckland to Hawke’s Bay at the beginnig [beginning] of 1993. His musical involvement spans many years having sung in a number of choirs, including the Auckland University Singers. Previously he has taken roles in “HMS Pinafore” and “The Mikado”. He has also co-produced school productions of “Joseph’s Technicolour Dreamcoat” and “Starblaze”.

ALLEN O’HALLORAN
From age nine in primary school productions, two intermediate class dramas as well as speech contests. A break in 1994 as a performing arts student at Hawke’s Bay Drama School. Productions include Theatresports (Group Theatre), “Power and the Passion” (Hastings Municipal), “Teechers” (Group Theatre) – youthful, without prejudice in theatre, open-eyed and hungy [hungry] to make waves professionally, “Les Misérables” is first big show.

ANTOINETTE HANNAH
Nine year old Antoinette has loved being a part of “Les Misérables” and has become firm friends with Jemma. She goes to St Josephs School in Hastings and learns classical ballet and jazz. Her interests include drawing, writing stories and singing.

ROY HOLDERNESS
Roy has been a keen thespian since winning the Senior Singing Competition at Colenso High School. He has 20 years acting, singing and back stage experience with Napier Repertory and various Canterbury drama companies. He is a keen yachtsman and winemaker.

PHILIPPA JONES
Philippa Jones appeared in Music Hall in 1981 at the age of seven and has followed her family’s commitment to, and involvement with, Napier Operatic Society ever since – both on and off stage. She most recently appeared in “West Side Story” and “Cabaret”. Philippa has also been involved in school productions and HB Drama School. Philippa recently began singing lessons and learnt ballet and the piano when younger.

JILL McTEIGUE
This is Jill’s first production with Napier Operatic. She enjoys all theatre and has performed intermittently in musicals and choirs since high school days. Jill is a teacher and has produced a number of school productions both locally and in Christchurch. As a trained singer she has performed many solo engagements and is currently studying with Dawn Unsworth.

ROBYN O’HAGAN
Robyn has been involved in a variety of theatre in Wellington including West Side Story”, “Joseph and the Technicolour Dreamcoat” and “Chicago”. Since moving to Napier she has gained lead roles in “Anything Goes” and “Hello Dolly”.

She has studied singing with Margaret Medlyn and was a member of the Phoenix Choir in Wellington.

LYNDA PIPE
Lynda has a basic training in ballet from an early age then numerous associations with Napier Operatic, starting with Camelot in 1968. Her most recent role as Sister Mary Leo in “Nunsense” last year. She has choreographed shows for Napier Boy [Boys] and Taradale High School and performed professionally in Tauranga. Family commitments have curtailed her involvement for a number of years but she is very happy to able to once again be on stage with her husband for the first time since 1977.

AARON WARD
Since winning the Arts Award for Drama at school, Aaron has continued to develop his dramatic skills passing Trinity College exams and attending the National Youth Drama School. Aaron has worked professionally in restaurant entertainment and clowning and performed in “West Side Story” and “Canterbury Tales”. This year he commences his Diploma in Performing Arts (Drama) at the Hawke’s Bay Polytechnic.

JILL WILLIAMS
Jill has done six years classical ballet and two years vocal training. She has been an active member of the Napier Operatic Society for 19 years both on stage and backstage. “Les Misérables” is Jill’s 45th production for the Society and she is very proud to be part of the “Operatic Family”. Jill is a serving Bank Officer in Taradale.

JULIE WILLIAMS
From her stage debut at eight in “The Sound of Music”, Julie has become a veteran of many local productions. Lead roles include Laurie in “Oklahoma”, Aldonza in “Man of La Mancha” and Maria in “The Sound of Music”. After a five year break to raise a family Julie returned to theatre last year to direct “Music Hall” for this Society.

GUY WHITCHELO
Guy’s acting talents extend over a wide range of roles in musical theatre including “Fiddler on the Roof”, “Oliver”, “Little Shop of Horrors” and “Cabaret”. He has an avid interest in all aspects of theatre and has experience in lighting, sound and more recently directing. For Guy, being a part of the “Les Misérables” experience has fulfilled a long time ambition.

JOHN WILLIAMS
John has been in amateur theatre for 30 years. The first 10 years with Waipawa M & D and the rest with Napier Operatic. He has played a variety of roles for both societies mainly comedy and has also enjoyed working on set construction, stage crew, publicity and executive committees. He’s proud to be part of the “Les Mis” team.

“The Thénardier’s Inn – that den of iniquity…”

PHOTOGRAPHY BY JAMES WHITE

“Eponine let her head fall against Marius’ arm and her eyes closed – She tried to smile once more, and expired.”

“One day more – Another day – another destiny!

One day to a new beginning.
Raise the flag of Freedom high.
Every man will be a king.
Every man will be a king
there’s a new world for the winning,
there’s a new world to be won.
…Tomorrow we’ll discover
What our God in Heaven has in store
One more dawn
One more day
One day more.”

“Eponine…lonely, tragic.”

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FUTURE PRODUCTIONS
A Slice of
SATURDAY NIGHT
A NEW
MUSICAL
“Stunning evening – it’s a must!” That’s Life
“London’s brightest and best cult musical” Daily Mail
TABARD THEATRE
MAY – JUNE 1995

CHESS
THE MUSICAL
Municipal Theatre
September 1995

Canterbury Arms
Music Hall
A Very Special Show to Celebrate the
20th Anniversary
of Our First Music Hall
Tabard Theatre
NOVEMBER – DECEMBER 1995

PETER SHEPHERD
Production Manager

Peter’s association with the Napier Operatic Society is a relatively short 18 years. He has served on the Executive Committee for 15 years including three years as Chairman and four years as Society President. He was Production Manager for the society’s major productions of “Chicago”, “Grease”, “West Side Story” and many Tabard productions.

His only appearance on stage was Captain of the Guard in “Man of La Mancha”, a role for which he did not audition but was coerced. He finds it much easier to fulfil administrative tasks than performing on stage. Peter has found his appointment in “Les Misérables” both challenging and exciting.

NEILL PAGE
Stage Director

Since becoming and active member of the Society 15 years ago Neill has been Stage Director for “Cabaret ‘82”, “An Evening With Gershwin”, “Evita”, “Tom Jones”, “Simply Jerome Kern”, “Nunsense I”,”A Place on Earth”, “Cabaret ‘94” and now “Les Misérables”.

Having appeared on stage in “Cabaret ‘92”, “Jerome Kern” and “Cabaret ‘94”, he feels better suited behind the scenes.

Neill is one of the characters of the society having served as Chairman of the Social Club for four years and on the Executive also for years. He leads a busy life, being Vice President of the Society, Immediate Past President of the Napier Club, and a keen yachtsman and skier.

SUSAN PAGE
Wardrobe

Sue has been an active member of Napier Operatic Society for the past 16 years. during [During] this time she has been Wardrobe Mistress for at least 12 productions with the most notable being “Cabaret”, “Chicago”, “Me and My Girl”, “An Evening With Gershwin”, “Jerome Kern”, “Nunsense” and “Oliver”. Sue can also be seen acting as Hostess for our Tabard Theatre productions, while she made her stage debut in “Mack and Mabel”.

As a self taught dressmaker Sue has developed her skills over the years through the knowledge gained from others in the wardrobe field.

She also manages to find time for skiing and sailing in her busy life.

Production Personnel

CAROL CODLING – Production Secretary
Carol has been interested in theatre and musicals since being taken to Wellington Operatic shows at age 10. She has served seven years with Victoria Operatic, Victoria BC, Canada. She has also served both Napier Reporatory [Repertory] and Napier Operatic as prompt, props mistress, kitchen helper and production secretary for “Fantastics”, “Jerome Kern”, “Music Hall ‘93” and “West Side Story”.

RAYMOND GEMPTON – Hairdresser
Raymond has been involved with Napier Operatic Society for a short time. He danced for many years but now prefers to do what he does best, the job of hair design. Cabaret was his first challenge but “Les Misérables” is an even greater one for him.

ANNE JAGO – Rehearsal Pianist
Anne has relished the chance of playing in a “Les Misérables” orchestra since first seeing the show during 1988, and was honoured to get a full involvement in the local production, from auditions, through rehearsals, to the orchestra. Previous shows include “1987 Nostalgia”, “Oliver”, “Evita” and “Me and My Girl”.

A registered Music Teacher, Anne tutors over fifty piano students.

HARLEY JONES – Head Flyman
A keen sportsman, Harley’s first show with Napier Operatic Society was “Jesus Christ Superstar” in 1980, although as a youngster he had previously been around “assisting” crews for a number of years. He has also had the privilege of working and gaining experience with touring companies when they have visited the Bay, such as the RNZB.

PETER EADE – Lighting Co-ordinator
Peter has been the backbone of the Napier Operatic technical department since “Oliver” in 1971. He has been involved in nearly every production staged by the Society and also many touring shows. Peters [Peter’s] experience in lighting and sound and his 24 years service are invaluable to the Society.

NORAH GRIFFIN – Production Secretary
From ballet lessons commenced at age six, through competing in dance competitions, performing at recitals, appearing in Napier Operatic productions in the late fifties/early sixties as a member of the Ballet and being involved with local Dance Groups. Norah has maintained her interest in the theatre and over the years has assisted in various backstage roles the Society.

ALAN JONES – Technical Stage Manager
A Life Member of the Society, Alan commenced his involvement with theatre in 1956 in the Props team for “New Moon”. Since then he has been involved either onstage, backstage or front of house with every Society production. A member of the Executive for the last 30 years, Alan enjoys passing on his knowledge to younger members of the Society, so that they too can enjoy theatre as much as he does.

LEIGH JONES – Stage Manager
Theatre, especially music and dance has always been part of Leigh’s life. Her association with Napier Operatic Society began in 1963 as a member of the ballet for “Where’s Charley?” Since, she has been involved with many productions, from tealady to choreographer, and in recent years stage management.

Now ‘retired’ from teaching ballet, Leigh still keeps her hand in as Hawke’s Bay Rehearsal Director for the royal New Zealand Ballet.

PAUL KENAH – Assistant Stage Manager
Paul is 15 years old and a 5th form student at Taradale High School. He has been involved with all of Napier Operatic Society’s productions for the past four years. His first show was “Music Hall” in 1991 where he was a member of the stage crew. Although this is the first time he has been an Assistant Stage Manager he has done similar sorts of jobs for the stage crew for past productions, for example “Music Halls” 1993 and 1994 and Canterbury Tales. He will be a Lighting Trainee for “A Slice of Saturday Night” and looks forward to future productions.

DARRYL MITCHELL – Assistant Stage Manager
Darryl is one of the silent heroes for Napier Operatic – seldom seen but always there. He has worked every show in his six years with the Society and also been heavily involved helping Taradale High School with their shows. Darryl was Assistant Stage Manager for “West Side Story” and is currently a member of the publicity and profile team.

LYNDA SHIRRAS – Properties Mistress
Lynda has been involved with Napier Operatic in various capacities for 16 years. She especially enjoys working with properties and has been Properties Mistress for “Mack and Mabel”, “The Fantasticks”, “Cabaret” and “Music Halls”. Lynda broadened her areas of interest in theatre as Assistant Stage Manager for “Annie” and “Evita”, Hostess for restaurant theatre productions and Production Secretary on a number of occasions.

DAWN McCOWATT – Makeup Supervisor
Dawn’s introduction to stage makeup with Napier Operatic Society was the twin city production of “Oliver”, 23 years ago. Since then she has created and designed makeup for all major productions plus innumerable other shows.

IAN REID – House Manager
Ian joined the society in 1967 and worked on lighting and properties teams for many shows. He has appeared on stage in “Canterbury Arms Music Hall” in 1981 and more recently in “Me and My Girl”. An Executive Committee member for some 16 years, the last 10 as Secretary, Ian was awarded Life Membership of the Society in 1994.

Special thanks to Jean Gordon who organised refreshments for all rehearsal and performances.

The Napier Operatic Society thanks most sincerely all those who supported members of cast and crew during the long rehearsal period required to bring you this show.

“What love begins can be finished only by God!”

Production Personnel

Booking Office   Dale Reid, Denise Jones

Chaperone   Joy Shepherd

Construction Crew   Cliff Allen, John Briggs, Brian Elmore, Brian Nathan, Neill Page, Colin Pritchard

Dressers   Jean Allen, Claire Allington, Marguerite Andrews, Lyn Brown, Tessa-May Brown, Chris Chard, Pam Christenson, Anne Compton, Christine Jackson, Gail Jones, Belinda Lawrence, Joan Maclaurin, Cecily Morris, Saima Pritchard, Frances Rogers, Joy Shepherd, Chris Shields, Leigh Thompson, Robyn Woodley, Plus friends of the Society

Fly Crew   Paterson Aifai, Kendall Browne, Clive Buttery, Scott Buttery, Alan Howes, Donald Hurley, Harley Jones, Malcolm Kenah, Eion McKinnon, Nigel Stilwell

Front of House

– Manager   Ian Reid

– Hostesses   Sharron Pardoe, Alyson Wicken, Anne Grager

– Front of House Team   Zoe Adam, Sonya Aifai, Clair Barrie, Kirstin Barrie, Bev Blake, Janita Blake, Tony Blake, Arlene Brady, Bob Brady, Dot Brady, Chris Brown, Frances Burch, Emily Burch, Chris Cheyne, Trish Clark, Kim Cleverton, Beryl Coker, Chris Coker, Trish Coleman, Kay Collins, Norman Compton, Doug Cook, Peter Cox, Moyra Cox, Mary Crook, Hilaire Dalton, Bruce Dunderdale, Jeanette Dunderdale, Gaye Dunderdale, Nikki Dunderdale, Natalie De Frere, Amy Diack, Mel Friis, Jeanne Hall, Fran Hurworth, Noelene Huxtable, Shirley Johnson, Suzanne Jones, Sandra Mc Donald, Phil McGirr, Carol Mills, Brenda Morrell, Pam Osborne, Des O’Neill, Liz Pegg, Hayley Reid, Janine Reid, Jill Richards, Winton Richards, Bill Shirras, Brenda Silson, Rachael Silson, Leigh Single, Lesley Standring, Chris Taurima, Rachael Torr, Simon Torr, Linda Wakely, Clare White, Cally White, Pam Winfield, Kath Zaloum

Lighting Performance Team   Adrian Lynds, Denis Newport, Brent Smith, Hayden Thorn, Tony Unsworth

Lighting Set-up Team   Gwyn Ace, Flick Clements, Mark Millar, Miles Reeve

Makeup Team   Dawn McCowatt and friends of the Society
Gwyn Ace – Beards

Projection   Syd Jago, Wade Sawyer

Properties Team   Chris Kenah, Judy Buttery, Saul Ballard, Tarisha Briggs, Anne Corney, Ian Reid, Trish Robinson, Rachel Sander, Mariot Scott, Helen Wakely, Glen Ward

Publicity and Profile Team   John Briggs, Barbara Brown, Barrie Browne, Anne Corney, Darryl Mitchell, Sharron Pardoe, Dale Reid, Glen Ward

Stage Crew   Jamie Beale, Troy Briggs, Carol Codling, Ian Collins, Ian Gearey, Alan Holt, David Hosegood, Barry Hughes, Paul Kenah, Darryl Mitchell, Steve Roberts, Wade Sawyer

Stage Effects Team   Marc Collier, Paul Collier, Janine Reid, Pierre Van der Zwet

Suppers and Refreshments   June Berry, Gaynor Bridgeman, Karyn Briggs, Christine Cheyne, Jean Gordon, Shirley Johnson, Bev O’Neil, Donna O’Shaughnessy, Gillian Wilton, Sharon Wright

Wardrobe Team   Chris Shields (Assistant), Jean Allen, Claire Allington, Marguerite Andrews, Tessa-May Brown, Chris Chard, Pam Christenson, Christine Jackson, Gail Jones, Joan Maclaurin, Saima Pritchard, Frances Rogers, Leigh Thompson, Robyn Woodley

Winch Operators   Blair Burtenshaw, Craig Van der Zwet

“Without doubt, there in the darkness, some great angel stood waiting for his soul.”

NOS
Est. 1887
NAPIER OPERATIC SOCIETY INC

Officers of the Society

Patron   Robert Wright
President   John Briggs
Vice President   Neill Page
Immediate Past President   Peter Shepherd
Chairman   Bill Dalton
Secretary   Ian Reid
Treasurer   Lyndsay Browne
Honorary Solicitor   John Matthews
Honorary Photographer   James White
Committee   Barbara Brown, Tessa-May Brown, Marc Collier, Paul Collier, Roy Clement, Alan Jones, Brian Nathan, Lesley Reid, Tony Reid, Glen Ward

Life Members   Bob Wright, Dawn Unsworth, Robert Houston, Alan Jones, John Collier, Donald Hurley, Fred Twyford, Barrie Browne, Lyndsay Browne, Roz Van de Ven, Les Robertson, Cliff Allen, Colin Pritchard, Brian Nathan, Dennis Kelliher, Ian Reid, Peter Shepherd, Gwyn Ace

Acknowledgements

Aikman Electrical Ltd   Bank of New Zealand
Brett Clarke – New Plymouth Operatic    Coley and Duckworth Ltd
Conroy Removals Ltd   Deco Bay Automobiles
Duckworths Retravision Megastore   Friis Distributors
Harbour Anchorage Apartments Ltd   Hastings Group Theatre
Jim Fenton – Invercargill Musical Theatre   Kevin Murphy – New Plymouth Operatic
Lindisfarne College   McMillin Craig Printers Ltd
Michael Highstead – Wellington Musical Theatre   MSL Theatre Systems
Napier Wool Dumpers Ltd   New Zealand Musical Theatre Consortium
PDL Sales Ltd   Perfect’s Meat and Poultry
Peter van der Stam   Port of Napier Ltd
Road Freighters Ltd   Rob Peters – Third Stage, Auckland
Rothmans of Pall Mall (NZ) Ltd   S.W. Jones and Company Ltd
Telecom New Zealand Ltd – Napier   Wellington City Opera Trust
Matthew Pipe

All those who lent wigs to the Society   Sebastian Woodham – Budge

“Do You Hear the People Sing”

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Bank of New Zealand is proud to play a supporting role.
Les Misérables
Bank of New Zealand

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