Programme 1990 – My Fair Lady

My Fair Lady

HASTINGS OPERATIC SOCIETY Inc

OFFICERS 1990

PATRON:
Cedric Wright

PRESIDENT:
Bob Whitburn

VICE-PRESIDENT:
Staveley Tankersley

EXECUTIVE COMMITTEE:
Jan Cuthbert, Len Evans, Barry Hughes, Merlyn Jarden, Wayne Lister, John McCord, Leonie McKay, Francis Murray, Sybil Reay, Geoff Treacher, Alex Wall

CHAIRMAN SECRETARY:   Ray Jarden   TREASURER:   Geoff McLeay

HON. AUDITOR:   Mr K. M. Dysart A.C.A.

HON. SOLICITOR:   Mr D. H. McDonald LLB

SECRETARIAT:   P.O. Box 70, Hastings

BANKERS:   Trust Bank Central

INSURERS:   NZI Insurance and Intermed

LIFE MEMBERS:
Jean Campbell, Eric and Sybil Reay
Geoff and Elaine Treacher

PRESIDENT’S MESSAGE

It is my privilege and pleasure to welcome you to the Hastings Operatic Society’s production of “MY FAIR LADY”. The society is very much part of your community and I am aware its progress and successes are followed by many. Our aim is to provide a multi cultural outlet for our members and the community and at the same time provide quality entertainment for our audiences.

“MY FAIR LADY” is proving to be the largest and most colourful production as yet undertaken by the society, and we feel that you will be well pleased with the result. A show of this magnitude demands co-operation and discipline, and praise must go to our enthusiastic and hard working team under the very experienced and capable leadership of director Pat Snoxell. Our desire is your pleasure and your appreciation and enjoyment of this evenings performance will be just reward for their efforts.

In conclusion I would like to thank you for your support over the years and sincerely wish it to continue.

Bob Whitburn
PRESIDENT

HASTINGS OPERATIC SOCIETY INC.
By arrangement with Tams-Witmark Music library

presents

MY FAIR LADY

Books and Lyrics by
ALAN JAY LERNER

Music by
FREDERICK LOEWE

“Adapted from George Bernard Shaw’s Play and Gabrial Pascal’s motion picture ‘PYGMALION'”
Director of the original production Moss Hart

HASTINGS MUNICIPAL THEATRE
14th to 21st JULY 1990

“MY FAIR LADY”

My Fair Lady, Cinderella in disguise, is a story that has been retold for centuries. But sometimes a similar event happens in real life and the legend grows. Think of a kindergarten teacher who will one day be Queen Diana.

Everyone who wrote a new account of the Cinderella legend relied on an earlier edition, including G. B. Shaw. He must have known that W. S. Gilbert, of Gilbert and Sullivan, had forty years earlier written such a play. Nevertheless Shaw went to the same source – the legend of ancient sculptor, Pygmalian, who created his own perfect statue “Galatea” fell in love with it, praying for his statue to come to life.

Shaw’s version was different, he began with a guttersnipe and turned her into a lady!

The 1914 premiere of his “Pygmalian” through a rousing success, stunned the theatre world with the utterance of the word “bloody” on stage.

At first the idea of turning “Pygmalian” into a musical did not meet with approval, Alan J. Lerner and Frederick Loewe were advised to leave it alone.

In 1952 Gabrial Pascal had the option for making “Pygmalian” into a musical and approached some of the leading song writers of the day – Rodgers & Hammerstein, Noel Coward and Cole Porter; all declined. Lerner and Loewe tried, and wrote seven songs for the show before abandoning the project because of Pascals eccentricities and legal difficulties. Then, in 1954 Pascal died, Lerner and Loewe managed to surmount the problems and completed their show.

“My Fair Lady” with Rex Harrison & Julie Andrews opened in 1956, a thundering – resounding success. Warner Brothers bought the Film rights for Five Million Dollars, and work began in 1963.

“My Fair Lady” with the biting wit of George Bernard Shaw, and the magical music and lyrics by Alan Jay Lerner and Frederick Loewe is perhaps one of the most well known and best loved shows of stage and screen, and one where every song became a hit!

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PAT SNOXELL
DIRECTOR
Those patrons who have followed the progress of the Hastings Operatic Society over recent years with the shows, “Oliver!” “Fiddler on the Roof” and the “The Merry Widow” will recognise Pat’s guiding hand. He is one of the most versatile and hard working directors in amateur theatre, with wide ranging experience in operatic shows, revues, comedies and pantomimes. Pat’s expertise has been recognised and he is much in demand, producing shows for amateur societies in Hawke’s Bay, Wairarapa and Wellington Provinces. In 1976 Pat directed “My Fair Lady’ for the Dannervirke [Dannevirke] Operatic Society and later this year will direct it again for the Palmerston North Society.

NANETTE ROBERTS
VOCAL DIRECTOR
Franz Lehar’s Chorus music in the Merry Widow requires a high standard of training and meticulous attention to detail. Nanette achieves this to her usual high degree. She has been chorus mistress for the Hastings Operatic Society many times, for two “Sounds of Music” “Oliver!” “Fiddler on the Roof”, Viva Mexico, “Merry Widow” and produced the Vienna cameos and Roman Serenade. Nanette has been conductor of Flaxmere’s massed school choirs for some years and guest conductor for Napier Intermediate school choirs. She has private piano pupils, conducts Mayfair Townswomen’s Guild choir, and is choir mistress and organist for St Peter’s Church.

KATHLEEN BARRY
MUSICAL DIRECTOR
Kath trained for secondary school teaching in England, specialising in music at the Trinity College of Music London, taught in secondary schools and played in amateur orchestras there, before coming to New Zealand to teach music at Iona College. She studied violin as a second instrument; has taught piano and singing in Hastings. Kath was a foundation member of Napier’s Concord Strings; has conducted the Sacred Heart choir since 1971; she established the Hastings Sinfonietta orchestra in 1978; and the Hastings Choral Society in 1985, and was musical Director for “The Merry Widow”.

JANINE McCUTCHEON
CHOREOGRAPHER
As a young dancer taking classes in Hastings and Napier, Janine was granted a Queen Elizabeth Arts Council Scholarship to train full-time at N.Z. School of Dance, Wellington, for two years. Upon returning to Hastings, she started a small group of dancers in Havelock North, seven years later the group has increased to a full-time dance studio of approx 250 students training in Ballet and Jazz examinations, and stage work for annual end of year production. Janine studied in depth, Anatomy and Dance, History of Dance and passed her Teachers Diploma, examined by the Royal Academy of Dancing Executive London. Janine has travelled extensively and taught on three occasions in Vancouver – Canada for various dance studios. My Fair Lady is her first choreography for a large operatic show.

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PROFESSOR HIGGINS
ALEX BURNS

In a life long love of music, song and Theatre, Alex has had a variety of experience in television, with night clubs and on the stage. He had the male lead role in “Sound of Music”, “So to Bed” and “Patience”. With Song & Opera Workshop he appeared in “Dido and Anaes”, “Gianna Schicci” and “Cavallieria Rusticana”. With the Hawkes Bay Opera Trust he sang in both “La Traviata”, and recently “La Boheme” with the challenging character role “Benoit”.

ELIZA DOOLITTLE
DIANNE ABRAHAM

Dianne began her musical studies in Auckland, first her interest was piano, but at age 17 she switched to singing. In 1985 she was a semi finalist in the Dame Sister Mary Leo Scholarship, and runner up in The Society for Performing Arts Competition. Dianne also sang on Radio, Television and in concerts, appeared in “The Mikado”, “Die Fledermaus” and “Salad Days”. Though she came to Hastings only 15 months ago she has already appeared in “Sweet Charity and “La Boheme”.

COLONEL PICKERING
JOHN PRYCE

John has been involved with New Zealand Theatre, musical and dramatic, from Hamilton to Invercargill, beginning in 1954 with Gilbert & Sullivan Operettas, then “Rose Marie”, “Belle of New York”, “Merry England” and others. He played “Strausse” in “The Waltz of Vienna”, appeared in the amateur premiere of “Where’s Charlie” in Hamilton, and in many repertory plays. Interest in public speaking climaxed when he won a public speaking contest at the Christchurch Round Table World Conference.

ALFERD [ALFRED] P. DOOLITTLE
CHRIS GIBBS

In England Chris studied at a choir school and the Guidhall [Guildhall] School of Music, London, and he sang professionally there before emigrating to New Zealand, where he has been very active in both amateur and professional theatre, with major roles in “Fiddler on the Roof”, “The Bartered Bride”, “La Traviata” and recently “La Boheme”. Chris is no stranger to “My Fair Lady”, he has played Professor Higgins twice, firstly in England, then in 1974 with the joint Napier Operatic and Hastings Musical Comedy Societies production.

MY FAIR LADY

Cast in order of appearance

Buskers   Lance Fothergill, Toni Grey, Vivienne Chapman
Eliza   Dianne Abraham
Freddy Eynsford-Hill   Ross Lange
Mrs Eynsford-Hill   Elizabeth Curtis
Colonel Pickering   John Pryce
Hoxton Man   Peter McNeil
Selsey Man   Jim Regan
Professor Henry Higgins   Alex Burns
Bystander   Lance Fothergill
Another Bystander    Jim Regan
Cockneys   Paul O’Connor, Sam Browne, Gary McIndoe
Alfred Doolittle   Chris Gibbs
Jamie   Tony Ironside
Harry   Peter NcNeil [McNeil]
Angry Man and Women   Jaimie Burnett, Rose Harrison
Mrs Pearce   Olive Gibbs
Mrs Hopkins   Glenda Rickard
Bartender   Jim Regan
Butler   Chris White
Servants   Rose Harrison, Judy Priest, Alison Wall, Morven Wood
Footman   Simon Howard
Queen of Transylvania   Leonie McKay
Prince Consort   Nick Heesterman
Mrs Higgins   Glen Sutherland
Lord and Lady Boxington   Sam Browne, Karen Wright
Policeman & Chauffeur   David Reefman
Flowergirl   Derryn Beeby
Sir Reginald and Lady Tarrington   Jim Regan, Toni Grey
Dr Themistocles Stephanis and Partner   Jaimie Burnett, Wendy Moore
Zoltan Karpathy   John Timpson
Ascot Maids   Megan Preacher, Wendy Moore, Tricia Smith, Alison Wall
Mrs Higgins Maid   Tricia Smith

CHORUS

LADIES CHORUS
Derryn Beeby
Jan Cuthbert
Liz Green
Rose Harrison
Elsa Kersey
Leonie McKay
Wendy Moore
Judy Priest
Glenda Rickard
Tricia Smith
Megan Treacher
Alison Wall
Morven Wood
Karen Wright

DANCERS
Derryn Beeby
Vivienne Chapman
Toni Gray
Janine McCutcheon

MENS CHORUS
Sam Browne
Jaimie Burnett
Lance Fothergill
Nick Heesterman
Tony Ironside
Gary McIndoe
David McKenzie
Peter McNeill
Paul O’Connor
Jim Regan
Darin Smith
John Timpson
Chris White

DANCERS
Lance Fothergill
Gary McIndoe
Paul O’Connor
Darin Smith

ORCHESTRA

Musical Director   Kathleen Barry
Voilins [Violins]   Enid Dunn (leader), Winifred Bickerstaff, George Sye, Rae Shapcott, Bevis Stevens, Joy Mooney
Viola   Judy Curtis
Cello   Robin Fazakerly
Bass    Alison Bibby
Flute   Pamela Voice
Clarinets   Barbara Lean, Dereck Everett, Fiona Dick
Bassoon   Alan Nankervis
Trumpets   Lance Bayliss, Peter Holt
Percussion   Bryan Rae
Synthesizer   Nanette Roberts
Piano   Katherine Anyan

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My Fair Lady

The place is London – the time is 1912.

MUSICAL NUMBERS AND SCENES

ACT ONE

OVERTURE
SCENE 1:   Outside Covent Garden – a cold March night.
“Why can’t the English?”   Higgins
“Wouldn’t it be loverly?   Eliza & Ensemble

SCENE 2:   A tenement Section – Tottenham Court Rd, immediatley [immediately] following.
“With a little bit of luck” …. Doolittle, Harry & Jamie

SCENE 3:   Higgin’s study – the following morning.
“I’m an ordinary man”   Higgins

SCENE 4:   Tennement [Tenement] section – several weeks later.
“With a little bit of luck” (reprise)   Doolittle & Ensemble

SCENE 5: Higgins study – later that day.
“Just you wait”   Eliza
“Hymn to him”
The servant’s chorus
“The Rain in Spain”   Higgins, Eliza & Pickering
“I could have danced all night”   Eliza & Mrs Pearce

SCENE 6:   Outside Ascot.
“A July afternoon”   Full Ensemble

SCENE 7:   Ascot. Immediatley following.
“Ascot Gavotte” …. Full Ensemble

SCENE 8:    Outside Higgins’ house, Wimpole Street, later that afternoon.
“On the street where you live”   Freddy

SCENE 9: Higgins’ study, six weeks later.
Eliza’s entrance

SCENE 9A:   Wimpole Street Promenade
Eliza, Higgins & Pickering

SCENE 10:   Transylvanian Embassy the night, immediately following to the ballroom of the Embassy.
“The Embassy Waltz”    Higgins, Eliza, Pickering
Karapathy & Full Ensemble

THERE WILL BE A 15 MINUTE INTERVAL

ACT TWO

ENTR’ACTE
SCENE 1:   Higgins’ study, 3.00am the following morning.
“You Did it”   Higgins. Pickering, Mrs Pearce & the Servants
“Just you wait” (reprise)   Eliza

SCENE 2:   Outside Higgins’ House.
“On the street where you live” (reprise)   Freddy
“Show me”   Eliza & Freddy

SCENE 3:   Flower Market of Covent Garden, 5.00am that morning.
The Flower Market
“Get me to the church on time”   Doolittle & Ensemble

SCENE 4:   Upstairs hall of Higgin’s House, 11.00am that morning.
“Hymn to him”   Higgins

SCENE 5:   The Garden behind Mrs Higgins’ house.
“Without you”   Higgins & Eliza

SCENE 6:   Outside Higgins’ house
“I’ve grown accustomed to her face”   Higgins

SCENE 7:   Higgins’ study.

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MRS HIGGINS
GLEN SUTHERLAND
Born in Wellington, Glen became involved in theatre at an early age, she had many years formal training both at home and in England. She spent 10 years overseas working in Theatre, Television, Advertising, Public Relations and Broadcasting in U.K., Africa and Australia. Glen returned to New Zealand and Hastings in 1972 and has been very involved in Theatre and the community.

FREDDIE EYNSFORD-HILL
ROSS LANGE
Ross has had a lifetime of singing and choral work, and has sung extensively in church choirs. He is currently with The Linden Singers who record for National Radio. Ross’s first experience of shows came with Hastings Musical Comedy Companies’ “Can Can” and he recently appeared in “La Boheme”.

MRS PEARCE
OLIVE GIBBS
Olive is a drama specialist and graduate of the London Guildhall School of Music and Drama, she had had both acting and directing experience in England and in 1969 directed “My Fair Lady” with husband Chris as Professor Higgins. She has spent a very active life time in professional and amateur theatre both in England and New Zealand.

MRS EYNSFORD-HILL
ELIZABETH CURTIS
A graduate of Auckland University, with both L.T.C.L. and L.R.S.M. in singing, Elizabeth furthered her studies at the London Guild Hall School of Music, she is an organist choir mistress and soprano soloist.

ZOLTAN KARPATHY
JOHN TIMPSON
Hastings Operatic Society introduced John to theatre with a very popular children’s show “Mr Macaroni and the Exploding Pizza Pie” then followed “Sound of Music and “The Merry Widow”. He has also appeared in comedy and serious drama with the Keirunga Gardens Theatre.

Minnie Wright
Make-up Supervisor

Cath Anyan
Rehearsal Pianist

Lois Reefman
Wardrobe Mistress

Molly Evans
Rehearsal Secretary

Staveley Tankersley
Stage Manager

Jeanne Hall
Properties Mistress

Ngaire Hawke
Production Secretary

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PRODUCTION PERSONNEL

DIRECTOR   Pat Snoxell
MUSIC DIRECTOR   Kathleen Barry
VOCAL DIRECTOR   Nanette Roberts
CHOREOGRAPHER   Janine McCutcheon
PRODUCTION MANAGER   Geoff Treacher
PRODUCTION SECRETARY   Ngaire Hawke
REHEARSAL SECRETARY Molly Evans
REHEARSAL PIANIST Katherine Anyan
WARDROBE MISTRESS Lois Reefman
ASSISTANTS Molly Evans, Bev Elms, Sybil Reay
DRESSERS   Cherie Baker, Bev Fothergill, Bev Hawke, Jill Hui, Lyn Johnson, Gloria Linn, Wendy McLeay, Freda Milne, Francis Murray, Joanne Treacher, Margaret Sloane
CALL STEWARDS   Ngaire Hawke, Cherie File
PROMPT   Maureen Grapes
STAGE MANAGER   Staveley Tankersley
ASSISTANTS   Ken McKay, Pam Winfield
CHIEF MECHANIST   Stu Young
2nd MECHANISTS John Noble, John Stewart
HEAD FLYMAN   Stu Doig
2nd FLYMEN   Dave Austin, Barry Hughes
STAGE CREW   Alan Adams, David Reefman, Jim Speers, Gordon Vogtherr, Brian Wilkinson, Jack Young
FLY CREW   Les Dunn, Leon Pryce, Brian Cochrane, Alan Simpson
LIGHTING DESIGN   Cedric Wright
LIGHTING OPERATOR   Ralph Heesterman
FLOOR ELECTRICS   Russell Anderson, Len Evans
FOLLOW SPOTS   Chris Browne, Bob Whitburn
SOUND   Mac’s Sound – Palmerston North
ARTIST   Dorothy Newnham
PROPERTIES MISTRESS   Jeanne Hall
ASSISTANTS   Bob Buckley, Allison Bullock, Alan Grapes, Trevor Hall, Simon Howard, Barbara Jones, Cory McGregor McDonald, Liz Pegg, David Sayner, Kathy Sayner, Janine Sinclaire
MAKE UP SUPERVISOR Minnie Wright
ASSISTANTS   Juliette Adams, Judith Dagg, Dawn McCowatt, Debbie McGregor, Jean McRae, Dianna Newdick
HOUSE MANAGER   Eric Reay
ASSISTANTS   Barbara Morris, Alex Wall, Geoff McLeay & Friends
LIBRARIAN   Ray Jarden
PUBLICITY   Merlyn Jarden, Geoff Treacher
REFRESHMENTS   Daphne McPherson, Dorothy McKay, Mavis Green & Friends

ACKNOWLEDGEMENTS
E. J. TREACHER LTD
ROSS HUTTON – for designing programme cover
CURRAN ENGINEERING
JOHN PRYCE INTERIORS
HASTINGS INTERMEDIATE SCHOOL
HENRY BERRY
ARTHUR BARNETT
HAMILTON OPERATIC SOCIETY
PALMERSTON NORTH OPERATIC SOCIETY
PALMERSTON NORTH OPERA HOUSE
TECHNICAL ADVICE – ROYCE REED
GWENDOLINE FLORIST HAVELOCK NORTH
ALAN JONES
DEKA
MARK DAWSON

THE GENIUS OF L & L …

The stunning collaboration of Alan Jay Lerner and Frederick Loewe for “My Fair Lady” elevated these highly gifted men to a place where they were acclaimed the best writer composer team in the American musical theatre.

High acclaim, indeed. Yet aside from the immediate popular acceptance of the “Fair Lady” music, the high quality of their work, the durability of the songs and their international appeal have shown conclusively that Lerner and Loewe brought something to the musical theatre that may never be matched.

Who else but Alan turner could have written: “A pensive man am I/Of philosophic joys/Who likes to Meditate/Contemplate/Free from humanity’s mad, inhuman noise… ?”

And who else but Frederick Loewe could have set to enchanting music the petulant indignation of a phonetics professor trying to justify his eccentricities by proclaiming that he’s just an ordinary man?

In their collaborative work, Lerner came up with the song title and usually the first line (avoiding, incidentally, “s” sounds), after which Loewe took over and started putting the music together. Lerner’s lyrics have been described as being like expertly cut glass, while Loewe thinks of music in terms of colour.

The Lerner-Loewe union began many years ago with a show called “The Life of the Party,” which they wrote in 12 days and which ran for nine weeks in Detroit. Their first Broadway production was “What’s Up?” presented in 1943, followed two years later by “The Day Before Spring,” which ran for five months. “Brigadoon” appeared in 1947 and “Paint Your Wagon” in 1951. The tremendous success of “My Fair Lady” in 1956 was followed by another great success in “Camelot”.

Lerner wrote the screenplay of “An American in Paris,” for which he won an Academy Award, and Lerner and Loewe joined talents for the motion picture, “Gigi,” for which they won three Oscars between them.

Their twinship ends with the melding of their words and music – for, as men, they represent, as do all men, distinct personalities. Reared in a Park Avenue apartment (his father founded the chain of apparel stores that bears the family name), Lerner is self-contained, mannered and fastidious. He is witty, elusive and social. His Manhattan office is, or was, embellished with a Ben Shahn painting of a bird, and a handsome Chinese horse.

Loewe was born to the musical theatre in Vienna. His father, Edmond, a tailor, was the first Prince Danilo in “The Merry Widow” and the first Chocolate Soldier in Berlin . His mother, Rose, was an actress. Loewe is given to emotion and flamboyance. He is, he says, too old to be modest; therefore, he is willing to acknowledge his genius.

Presently, he lives in sand-duned splendour in Palm Springs, the sequined resort whose charities the Loewe purse has greatly enriched.

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THE DANNEVIRK OPERATIC SOCIETY

By Arrangement with Tams-Whitmark, New York

Presents

My Fair Lady My Fair Lady

Director: Pat Snoxell Musical Director: Chris Somerville

Chorus Mistress: Beverly Lidington Choreographer: Leslie Hogg

DON’T MISS THE EXTRAVAGANT PRODUCTION

Paul Moffat as “Henry Higgins”

Gail Shirley as “Eliza Doolittle”

Bill McLeod as “Colonel Pickering

Don Anderson as “Alfred P. Doolittle”

TOWN HALL – DANNEVIRKE

Matinees: Saturday, 28th April, 2 p.m. – Sunday, 29th April, 2 p.m.

Gala Evening Performance: Saturday, 28th April, 8 p.m.

Evening Performances: Tuesday, 1st May and Wednesday, 2nd May

BOOKINGS OPEN AT FRANKLIN’S BOOKSHOP

Member’s Preferential: THURSDAY, 19th APRIL

General Public: FRIDAY, 20th APRIL

Gala Evening Performance Seat and Supper Ticket

Thursday, 19th April (Members) and Friday, 20th April Only (Public)

The Society is making a limited number of Champagne Supper Tickets available to enable you to meet the cast and enjoy the evening with them.

SEAT PRICES

DRESS CIRCLE:

Matinees $4.00

Evening $4.40

STALLS:

Matinees $3.50

Evening $3.80

Gala Performance Seat and Supper Ticket – $12.00

Children under 14 years Half Price (all performances)

Block Bookings (10 seats or more) to Dannevirke Operatic Society, P.O. Box 111, Dannevirke before 19th April. Please enclose cheque and stamped self-address envelope.

TAKE THIS PAMPHLET WITH YOU WHEN YOU MAKE YOUR BOOKING – YOU COULD WIN A FREE SEAT

No 1125

Kelprint – 13.640